Hardcore Henry is one of those films that will immediately polarize the filmgoing audience. You already know whether or not this film is for you. The filmmakers knew exactly who they were appealing to when they made it, and it delivers in spades. It is nothing short of a tour de force and will likely be viewed as a benchmark against which future efforts of its kind will be measured. Conversely, it’s also the kind of film that is reviled and pilloried by easily offended triggerkin. It’s unrepentantly ultraviolent, it promotes gender dimorphism, has lots of sexy chicks, and it’s filmed in the style of the first person shooter video game. In other words, the very kind of game that has drawn the ire of PC scolds and Puritans like Jonathan McIntosh and Anita Sarkeesian.
Hardcore Henry has a plot, but it mostly serves to set up the scenes of expertly choreographed mayhem and the requisite showdown between the hero and the villain. There’s nothing whatsoever wrong with this approach. The filmmakers know what they’re selling and the plot, however meager and arbitrary it seems, is more than sufficient. The characters with which we’re presented are so colorful, it more than makes up for the wild leaps of the story. This is especially true of Sharlto Copley’s masterful turn in his many different iterations of Jimmy. Mr. Copley even called this film the most challenging of his acting career.
In the beginning of the film, Henry is awakened by Estelle (Haley Bennett) in a laboratory to discover he’s lost his arm, leg and voice. He’s asked to remain calm while his cybernetic arm and leg are attached. Henry has no memory of his past self, but Estelle tries to remind him that they were formerly married. While awaiting a download for his vocal software, the laboratory is infiltrated by mercs. The main bad guy, Akan, shows up, wreaks havoc with his telekinetic power, kills the lab technician and threatens to make an army of cyborgs using the technology implanted in Henry’s body. Estelle and Henry manage to escape from what is apparently a laboratory dirigible, but land on a freeway only to have to fight off another set of goons who attempt to apprehend them. From there, the film basically steps on the accelerator pedal and simply does not let up.
The action scenes are relentless, but exhilarating because they are just so physical and dangerous. This is one of those movies where you realize that the individuals who shot these performances are just made of different stuff than the rest of us. Perhaps slightly unhinged. There is an outrageous car/motorcycle chase (see link pasted above), a death defying parkour chase through the streets of Moscow, more gun fights than perhaps any other film I’ve ever seen, and some of the most insane hand to hand combat since The Raid.
Another big plus is that it was made by Russians and filmed in Moscow. The individuals they hired to play some of mercs and goons looked every bit like they were straight out of the FSB and carried an above average aura of menace. Perhaps I’m overstating, but the brothel full of scantily clad women is the kind of scene that rarely attempted by the increasingly PC mainstream Hollywood film.
Hardcore Henry is a film that’s high on its own adrenaline rush. The filmmakers know that you’re there to see next level action filmmaking and they’re more than happy to oblige. Like The Green Inferno, I was delighted that they simply did not give a single fuck about appeasing any PC sensibilities. The film gleefully revels in its refusal to kowtow to the phony standards and diktats of would-be moralists, feminist killjoys, Bechdel testers, multiculturalists and racism cops. It’s not deep and has no redeeming social message, but it’s a fast, relentless shit ton of decadent fun. Sometimes, that can be a pretty bold statement all by itself.