Category Archives: socialism

Stalker (Сталкер) (1979)

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Andrei Tarkovsky’s enigmatic, brooding and grindingly slow SF film from 1979 is a favorite among artsy film connoisseurs and tastemakers, but the praise that has been heaped upon it needs to be taken with several grains of salt. Stalker is indeed a masterfully made film, and as far as I can tell, is a fairly explicit metaphor for the crushing despair of life under socialism. It is also an extended exploration of the nihilistic mindset that gave birth to one of the most repressive regimes in the 20th century. Criterion has just released a newly remastered blu-ray, so the world can now enjoy its bleak splendor as never before. That said, I don’t know that it will appeal to anyone beyond the hardcore cinephile set due to its grim aesthetics, cerebral artiness and glacial tempo.

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Since the storyline of Stalker is fairly straightforward on the surface, the allure of the film lies in attempting to peel back the layers of metaphor and symbolism. Tarkovsky’s work invites painstaking analysis because his film lives mostly in the realm of abstraction and semiotics. Considering that Stalker alone has inspired reams of film school exegeses and an entire book which deconstructs every minute detail, it has gained a reputation of being a puzzle of infinite depth.  Despite having a reputation which verges on a near mystical reverence, I think the film is quite possibly much more straightforward than prevailing opinion suggests.

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First and foremost, the film cannot be disassociated from socialist context in which it was created. This was, after all, a Mosfilm production, and by default, a work of art made by people living under a socialist dictatorship. Art was tightly controlled under the Soviets, so no filmmaker could make anything that was too explicitly critical of the regime. Making a ponderously slow film which buries its editorial under abstractions but still lends itself to a multiplicity of subjective interpretations was perhaps the only way to attempt to say anything that wasn’t boilerplate party propaganda.

Writer: While I am digging for the truth, so much happens to it that instead of discovering the truth I dig up a heap of, pardon… I’d better not name it.

The degree to which Tarkovsky’s aesthetic was a purely organic phenomenon in contrast to the extent that it was an adaptation to the confines of Party diktats are questions which must be considered. Stalker poses questions about the nature and role of art, and the fact that this film’s emotional spectrum ranges from sadness to suffering certainly tells us something about how art was affected by the psychological strictures imposed by socialist rule. I propose that the SF premise merely provided the necessary metaphorical pretext for the underlying editorial.  Since absolute fealty to socialist orthodoxy and groupthink was a way of life, telling the truth in a direct way was a counter-revolutionary act all by itself. In this film’s case, the ponderous pace and desolate tone was likely Tarkovsky’s way of pulling you deeply into the experience of life through Soviet eyes.

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Based loosely on Arkady and Boris Strugatsky’s 1971 book, Roadside Picnic, Stalker tells the story of three men who enter a quarantined area called the Zone. The Zone was declared off limits to the public as a result of some unknown incident that may have been paranormal in nature or simply an industrial accident. The big attraction of entering the Zone is the presumed existence of the Room; a place where all wishes can be granted. Two of the men, known only as the Writer and the Professor, enlist the services of the titular Stalker to navigate the Zone and lead them to the Room. Theoretically, this sounds like it could be a premise for a SF action thriller, but the film has more in common with existential theatre like Waiting for Godot or No Exit than anything in the conventional SF cinematic canon. Needless to say, the film is completely devoid of aliens, space travel, futuristic technology or any of the features we normally associate with cinema that calls itself science fiction.

The broad themes are spelled out very clearly in the first part of the film albeit in a somewhat oblique manner. As the film opens, we’re taken into the bedroom of the Stalker over the course of roughly nine dialogue-free minutes as he awakens next to his wife and disabled child. While dressing and preparing for the day, his distressed wife joins him in the kitchen and warns him that he risks returning to his old ways and being sent back to jail. Right away, Tarkovsky is revealing an important fact of life in the Soviet Union: the USSR was essentially an open air prison camp. Socialism had criminalized freedom itself, and the citizens had become complicit in their own enslavement.

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We discover in the subsequent scene that the Stalker is being enlisted to guide two other men into the Zone to find the Room. Since the Room was a place where one’s deepest wishes could be fulfilled, the Room could be viewed as a metaphor for hope, redemption, and the attainment of human dreams. In a word, freedom. No one can reach the Room without first passing through the heavily guarded perimeter of the Zone. The Zone is both an explicit metaphor for the Soviet state as well as the psychological confinement it engendered. The State had outlawed freedom, so the Stalker’s willingness to defy the State and lead others through the Zone is what makes him an outlaw. Naturally, his wife is fearful of caring for their disabled daughter without him, so she implores him not to go.

Stalker: The Zone wants to be respected. Otherwise it will punish.

Tarkovsky seems to have a view of humanity that alternates between nihilism and idealism, but tilts heavily towards the former. In one of Stalker’s monologues, he describes the Zone as an entity whose malevolence is both triggered by the appearance of people and a reflection of man’s nature.

Stalker: The Zone is a very complicated system of traps, and they’re all deadly. I don’t know what’s going on here in the absence of people, but the moment someone shows up, everything comes into motion. Old traps disappear and new ones emerge. Safe spots become impassable. Now your path is easy, now it’s hopelessly involved. That’s the Zone. It may even seem capricious. But it is what we’ve made it with our condition. It happened that people had to stop halfway and go back. Some of them even died on the very threshold of the room. But everything that’s going on here depends not on the Zone, but on us!

The Stalker eventually meets the Writer and his glamorous girlfriend at the waterfront. Stalker rudely dismisses the woman as he and the Writer climb into a car to meet the Professor. Both the Writer and the Professor are quite possibly archetypes for the artistic and academic intelligentsia who have largely been conscribed to the role of being apologists for the State. The rudeness and disdain the Stalker exhibits towards his girlfriend is easily understood when examined in this light. After a contentious rendezvous with the Professor which symbolized internecine Party squabbling, the two men reveal their motivations for undertaking this treacherous journey. The Writer wishes to recover his lost inspiration while the Professor claims pure scientific curiosity. Since the arts had been completely subordinated to service of state propaganda, it makes perfect sense that the Writer would take such a dangerous risk in order to have a taste of genuine inspiration that has been so badly thwarted by demands for ideological conformity.  The Professor’s scientific curiosity is perhaps a jab at the misplaced faith that socialist society had placed in scientism.  A Room which grants your deepest wish is already an idea that lives beyond science.  Bringing a scientific mentality to such a phenomenon is misguided at best. Their desire to reach the Room was by itself an act of faith, and by extension, Tarkovsky’s affirmation of the necessity for such leaps of faith.

Upon arriving in the Zone, the color palette switches from lifeless, desaturated browns and greys to actual color. Once they had traversed past the boundaries of allowable thought, the color and vibrancy of life was accessible to them. Despite the landscape of ruin and desolation that lay before the trio, they managed to marvel at beauty. Once again, Tarkovsky reveals his cynicism towards humanity by having the Stalker note that the beauty was the product of the absence of other people.

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The Writer’s ideological convictions are challenged as they travel deeper into the Zone. As an archetype for the artistic class, Tarkovsky lays bare the psychological schism that Marxism created amongst the creatives in one of the film’s few moments of dry levity.

Writer: My conscience wants vegetarianism to win over the world. And my subconscious is yearning for a piece of juicy meat. But what do I want?

Marxism had supplanted any notion of higher morality and placed the locus of virtue squarely within the hands of the State. Subsequently, the Writer’s desire to see vegetarianism win over was merely a metaphor for the political orthodoxy he’d been trained to uphold. He views his desire for meat as bourgeois false consciousness. Ultimately, he’s conflicted because his sense of Self had been disrupted by venturing beyond the ideological boundaries that were protected and enforced by the Zone.

When the three men reach the Room, they become suspicious of one another’s motivations. The Professor produces a nuclear bomb and threatens to detonate it because he doesn’t want the power of the Room to fall into the wrong hands. Conflict ensues and recriminations are exchanged. After some tortured confessions, the Professor disassembles the bomb and the scene grinds to a halt in a cloud of defeat and resignation. I suggest that Tarkovsky is saying something about how deeply uncomfortable and distrustful Russians were with the idea of freedom. So much so that they constructed their own ideological panopticon.

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Upon returning from the Zone, the Stalker is reunited with his wife and child. In one of the monologues delivered by Stalker’s wife, Tarkovsky is attempting to access something truly primeval within the Russian soul. Some kind of deep sadness which insists that happiness can only emerge unless there is sorrow. Yet it is a sorrow leavened ever so slightly with a tiny granule of hope. Who knows exactly from where this emanates, but it does perhaps offer an additional cultural insight into the psychological legacy of the Russian people on which Marxism so hungrily feasted.

Stalker’s Wife: You know, Mama was very opposed to it. You’ve probably already guessed, that he’s one of God’s fools. Everyone around here used to laugh at him. He was such a wretched muddler. Mama used to say: “he’s a stalker, a marked man, an eternal jailbird. Remember the kind of children stalkers have.” I didn’t even argue. I knew all about it, that he was a marked man, a jailbird. I knew about the kids. Only what could I do? I was sure I’d be happy with him. I knew there’d be a lot of sorrow, but I’d rather know bitter-sweet happiness, than a grey, uneventful life. Perhaps I invented all this later. But when he come up to me and said: “Come with me”, I went. And I’ve never regretted it. Never. There was a lot of grief, and fear, and pain, but I’ve never regretted it, nor envied anyone. It’s just fate. It’s life, it’s us. And if there were no sorrow in our lives, it wouldn’t be better, it would be worse. Because then there’d be no happiness, either. And there’d be no hope.

The resolution of the film reveals the Stalker’s daughter moving three glasses using what is apparently telekinetic power as a snatch of “Ode to Joy” surfaces. It’s enigmatic, but I believe this is the glimmer of hope that Tarkovsky is offering. Monkey represents a new generation which possesses abilities that were unimaginable to their forebears: the ability to cultivate and express joy. An ability so powerful it can only be represented as a paranormal psychic power.

Aesthetically, the film leverages the decrepit and dilapidated architecture of the USSR to create a post-apocalyptic vibe that’s easily among the bleakest natural settings committed to film.  The Zone was inspired by the 1957 Chelyabinsk incident which was both the first major nuclear accident prior to Chernobyl and third largest in history. Ever dedicated to the purity of his vision, Tarkovsky filmed the Zone at an abandoned Estonian power plant which quite possibly hastened his own demise along with two other members of the film crew resulting from exposure to toxic chemicals.

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I suspect that a large part of the allure of Tarkovsky and Stalker in particular is that it represents a manifestation of the great Holy Grail sought by artists across the world throughout the ages: a pure artistic expression unsullied by the taint of capitalistic profit seeking. Stalker is very much a film made with painstaking attention to the most minute details. Almost nothing that makes it into the frame seems left to chance. However, that doesn’t necessarily mean that it’s a film that people will actually want to watch.

Stalker is a film which elicits admiration more than enjoyment. As much as I am tempted to get lost in the labyrinth of symbolic possibility that so enraptures the cinephiles, I see this as a pretty explicit manifestation of the Russian pysche’s very fragile grasp at humanity desperately laboring under the weight of emotional and physical devastation wrought by 60 years of iron fisted subjugation and state enforced social engineering. Since this is a work of art which leans very heavily on symbolism, people will extract a meaning from it which confirms their own bias and disposition. Predictably, the progressive media in America has heaped praise on it because they see it as antidote to Trumpism and a rallying cry for socialism itself. The fact that a film that’s this unremittingly dreary and downcast is perceived as some kind of rallying cry for socialism just goes to show how deeply this ideology warps the psyche and possesses the will of the individual.  If anything, Stalker should be taken as a dire warning of the inhospitable future that awaits should we allow this ideology to hollow out what remains of our souls.

Stalker is indeed a work of Serious Art® and I completely understand the cult of devotion it has inspired. Like all good works of high modernism, it contains the possibility of extracting multitudes of meaning. However, I genuinely don’t think Tarkovsky intended this film to be another occasion for endless academic navel gazing or a self-centered circle jerk for the intelligentsia. Tarkovsky was making an earnest attempt to tell the truth of the Russian experience by using a SF premise as a metaphysical allegory. John Semley’s dumb Salon piece praises the film for all the wrong reasons. Yes, the plodding pace feels radical in contrast to the engineered dopamine rushes we get from contemporary cinema, but it’s because the film conveys a deep sense of despair. Being boring is not an aesthetic virtue that is inherently good. Good art encompasses the entirety of the human experience, but most importantly, it has intention and should actually connect with its audience. Would Stalker have been funded on the free market? Probably not. Grim meditations on the human experience don’t make for big ticket sales. Especially if they’re the product of life under socialist rule. I’m deeply sympathetic to artistic expression which challenges norms and defies expectations. Most people do not share this belief, and as a result, won’t bother watching Stalker. And that’s fine. No one is required to consume art which evokes boredom and despair. In the end, that is perhaps that is the true legacy of the film. Just as millions died chasing the abstraction that Marxism represented, few will heed the subtle warning buried under Tarkovsky’s abstractions.

Stalker: Are you awake? You were talking recently about the meaning… of our… life… unselfishness of art… Let’s take music… It’s really least of all connected; to say the truth, if it is connected at all, then in an idealess way, mechanically, with an empty sound… Without… without associations… Nonetheless the music miraculously penetrates into the very soul! What is resonating in us in answer to the harmonized noise? And turns it for us into the source of great delight… And unites us, and shakes us? What is its purpose? And, above all, for whom? You will say: for nothing, and… and for nobody, just so. Unselfish. Though it’s not so… perhaps… For everything, in the end, has its own meaning… Both the meaning and the cause…

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Marxism: Philosophy and Economics

If it weren’t for the fact that his ideas resulted in the deaths of around 200 million people, I’d be inclined to tip a hat to the fact that Karl Marx managed to create what amounts to the world’s most durable secular religion. Because I’m old fashioned and happen to regard an amoral, genocidal and totalitarian ideology as…you know…a net negative on human welfare, I can’t really do that with a clear conscience. Marxism is so destructive, yet its appeal remains undimmed by the failure of communism. It also remains seemingly resistant to criticism. If one has any intentions of engagement in the battlefield of debate, you’re going to need to fortify yourself with heavy intellectual artillery. Since it is such a cancerous blight on humanity, opponents of Marxism are well served by understanding its architectural underpinnings. Thomas Sowell’s analysis of the entire system, Marxism: Philosophy and Economics, is an essential step toward that end.

Marxism is the apotheosis and the backdrop of the ideological Left. It is a framework which can be recycled and repurposed in order to justify any expansion of political power. More importantly, it provides a critical ballast of narrative that infuses the ideology with a sense of moral urgency and historical struggle against an omnipresent capitalist boogeyman. It can absorb and accommodate new social phenomena (e.g. transgenderism, queer and race “theory”, etc) as well as the latest pseudoscience (climate change, etc) because it is pseudoscience all by itself. Marxism is a seemingly evergreen ideology because it is a theory of history, economics, and sociology wrapped in the rhetoric of equality and justice. It bakes moral outrage into its premises, but considers all moral transgression a necessary but transitory phase in an inexorable, dialectical historical progression towards a society of classless emancipation. In other words, it possesses all the features of religion, but still maintains an appearance of intellectual depth and scientific legitimacy.

How socialists view Marx

This is your brain on Marxism.

The basic propositions of Marxism are easy to grasp, but the system itself is deeply layered. It is propelled by an emotional immediacy and a certain internal coherence that makes it especially resilient to attack. Defenses of Marxism take one of four forms:

  1. You don’t understand Marxism.
  2. (Choose communist state) wasn’t what Marx intended.
  3. Marxism (i.e. socialism/communism) has never been properly attempted.
  4. There’s nothing wrong with the ideology. It fails because of capitalism, bad people, etc.

The latter three defenses are demonstrably false, but Sowell’s book is particularly useful in rebutting the first claim. True believers ascribe a quasi-mystical depth to Marxism that is apparently unattainable to luddites who aren’t sympathetic to his thought. There is something to this claim. Besides the sheer volume of his corpus, Marx presented his work, Capital in particular, as an unfolding dialectic which would unmask the bourgeois appearance of reality and reveal its true essence. Sowell emphasizes two hurdles that this approach presents to the layman. First, Engels himself cautioned Marx that his dialectical approach would potentially be misunderstood. This is telling since his magnum opus, Capital, is an excruciating slog. Further, Marx’ own writing suggests the possibility that he never intended to be understood fully and was simply laying traps for his critics. The latter possibility should be considered since Marx enjoys a reputation among his acolytes as some kind of prophet or mystic whose depths can only be divined by dutiful study at the feet of #WOKE college professors. Any philosopher whose work produces so many fiercely divided opinions over what its True Meaning was may not have ever intended to be fully understood in the first place. The only result that mattered was that he succeeded in building a cult of personality machine for himself and for generations of followers who’ve taken up the ideology.

Oh look. We’re still debating whether or not Marxism works.

Marxism must be judged by the results it has produced in the world and the actions of its adherents. Revolution by violent means, strict demands for ideological conformity, and complete subordination of the individual to some self-appointed elite have been the consistent hallmarks of every attempt to implement this ideology. When the written record is examined, it is rather easy to see how the ideas correlate to real world outcomes. Fortunately for us, Sowell breaks down Marxism’s festering carcass so that its fetid anatomy can be examined.

Rather than delivering a polemic, Sowell spends most of the book analyzing each component of Marxist philosophy in a dispassionate, scientific manner. Lest you believe that Sowell’s political leanings have biased him against the ideology, just keep in mind that he spent 25 years working on this book and earned an advanced degree from Harvard on this very subject. By systematically stepping through each aspect and sourcing his argument from the original texts, Sowell distills Marx to his essence without building straw men. The book reveals the central pillars that bind the entire philosophy with Sowell’s trademarked clarity and precision.

Sowell analyzes the full arc of Marx’ career, and he is very honest about the many inconsistencies, failures of logic, dubious elisions, cop outs and ideas that were never fleshed out. Delineating where Marx ends and Engels begins is a problem rarely discussed by doctrinaire socialists and academic apologists, but Sowell is careful to point all of these things out while cautioning the reader to consider the larger context of his work.

PHILOSOPHIC MATERIALISM

Marxism belongs to a philosophical tradition known as materialism. It is a philosophy which posits that there is no spiritual reality and all that exists is the material world. Not only does this view consign human volition to determinism, it provides an opening for the likes of Marx to embue social and material forces with spiritual and supernatural qualities while operating under the guise of social science. Social transformation is the product of material and social forces to which the individual is completely subordinate.  

THE MARXIAN THEORY OF HISTORY

Marx’ materialist conception of the world dovetailed into his theory of history. This historical aspect of the Marxist doctrine is downplayed by modern acolytes, but deeply significant because it compounds the moral and ethical void in the entire system. Marx was a member of the Young Hegelians and developed a theory of history which closely resembled the thought of his mentor. Marx saw the transformation of one stage of society to another in a quasi-deterministic manner that was driven by changes to the material conditions and social relations rather than the movement of individuals or ideas. According to Marx, these changes naturally bred conflict because all capitalist innovation simply created new enmity and jealousy.  Marx and Engels spent much of their careers waiting for capitalism to fail and for all of their ghoulish hopes of societal collapse to come true, but they never did.  Rather than admitting error, apologists will keep moving the goalposts to validate Marx’ so called predictions.  If the development of a revolutionary consciousness was the ironclad, scientifically sound historical inevitability he claimed, calls for revolution were redundant. 

THE CAPITALIST ECONOMY

The Marxian conception of the capitalist economy was more sociological than economic. The only purpose Capital serves to the contemporary audience to confirm the prejudicial notion that capitalism is an inherently predatory and exploitative system. It does not offer a positive theory of socialism nor does it add anything to classical market economics. It’s three volumes of tortured, fallacious metaphysics layered on top of thought pioneered by greater minds. Marx completely disregarded the necessity of varying skill levels in the development of an advanced economy, and consigned the entrepreneur completely to the role of soulless predator.  

MARXIAN ECONOMIC CRISES

As is the case with most of the economic analysis in the Marxian system, Marx’ “theory” of business cycles was a half-baked hodgepodge of existing theories jerry-rigged together in order to add another layer of oppressive class struggle. Mismatches of supply and demand were evidence of a lack of proportionality in sectors and were ultimately evidence of “ever widening crises” and deepening class struggle. 

MARXIAN VALUE

The Marxian concept of value is one of the lynchpins of the entire ideology. It’s less a theory of production or consumption goods and more of a theory of social relations.  Marx leaned very heavily on the labor theory of value as articulated by Ricardo and Smith, but was distinguished by his emphasis on “socially useful labor” and the quantity of surplus value extracted by the capitalist. Somehow, contemplating all this the surplus value was a critical act of dialectical inquiry that sharpened the revolutionary consciousness. 

POLITICAL SYSTEMS AND REVOLUTION

Sowell’s treatment of the Marxian concept of proletarian revolution is proof positive of the even-handedness of his analysis.  As easy as it is to point to that one paragraph from the Critique of the Gotha Program as prima facie evidence that Marx wanted a dictatorship, Sowell takes pains to emphasize that this should be taken in context with his overall vision of the transformation of social relations and productive forces. Ultimately, these subtle nuances didn’t override the ideology’s central propositions pertaining to the predatory nature of capitalism. 

Marx was sympathetic to the Paris Commune uprising, and saw it as an exemplary model of a proletarian dictatorship. In The Civil War in France, Marx professed support for four feelgood principles to which any modern progressive would readily align himself. Universal suffrage, an open society, freedom of religion, separation of church and state, and a non-militaristic viewpoint sound good on paper just like many other Marxist epigrams. The abject failure of this experiment and the support he gave it were evidence that he was giving birth to a totalitarian ideology. 

One of the most pernicious myths of the Marxian system was Marx’ claim that, unlike his utopian forebears, he had put forth a theory of “scientific” socialism. Despite the numerous flaws and inconsistencies within the system, this perception of scientific legitimacy not only persists as Belief, but abets all complementary doctrines of scientific social organization.  

MARX THE MAN

Similar to Gary North’s contribution to Requiem for Marx, Sowell gives us a portrait of Karl Marx’ life.  Rather than being the type of working class prole he claimed to represent, he was born into a middle-class family of means. Marx enjoyed a life of lavish patronage from his parents, wealthy in-laws, and his intellectual wingman, Friedrich Engels. He was notoriously spendthrift with other people’s money, and apparently, quite the party hound. He regarded university as little more than a “camping ground” in which to while away the hours. His megalomaniacal tendencies and apocalyptic visions were present in his early poetry, and were simply transferred over to his political writings later in life. Marx’ entire career was marked by failed attempts at media success, squandered wealth borrowed from others, bitter rivalries with other intellectuals, and a marriage marred by self-imposed impoverishment, financial incompetence, emotional strife and infidelity. In short, he was the very epitome of the smug, entitled, coddled, narcissistic, middle-class progressive who goes to college to end up studying Marxism or subjects informed by Marxism. 

THE LEGACY OF MARX

The endurance of Marxism’s appeal is simultaneously befuddling and tragic. Despite numerous refutations and contributing absolutely nothing of enduring value to modern economics, the basic template of Marxian proletarian oppression has been transferred over to the entire spectrum of sociology, arts and humanities. Marxism fits very neatly into the two realms of academic “science” which are the Left’s current vehicles for the implementation of Communism 2.0: gender studies and climate science. 

Even if Karl Marx never existed, the Left would have invented him. Since the Left’s true goal is absolute political dominion, it needs a secular cult of the State in order to advance its agenda. It makes perfect sense that a quasi-religious, pseudoscientific, anti-family, anti-capitalistic, atheistic paean to state power written by a pampered, sheltered academic is still the guiding light of the Left.  

Marxism enjoys an unchallenged dominion in the halls of academia. Instead of promoting intellectual curiosity, Marxism inculcates a set of prejudices against capitalism, prefab outrage, simplistic explanations for complex phenomena, and most importantly, a pretense of moral superiority.  

Marxist thought is reaching a state of peak fermentation in America and Europe after decades of gestation. True believers are beyond reason, but for those looking for intellectual ammunition to ward off the Marxist zombie apocalypse, Thomas Sowell’s book is an indispensable weapon for your arsenal. 

Much of the intellectual legacy of Marx is an anti-intellectual legacy. It has been said that you cannot refute a sneer. Marxism has taught many-inside and outside its ranks-to sneer at capitalism, at inconvenient facts or contrary interpretations, and thus ultimately to sneer at the intellectual process itself. This has been one of the sources of its enduring strength as a political doctrine, and as a means of acquiring and using political power in unbridled ways. – Thomas Sowell

Mao or Hillary?

Enable every woman who can work to take her place on the labour front, under the principle of equal pay for equal work. This should be done as quickly as possible.~ Mao Tse Tung, 1955

We hail from all corners of the country and have joined together for a common revolutionary objective…. Our cadres must show concern for every soldier, and all people in the revolutionary ranks must care for each other, must love and help each other. ~ Mao Tse Tung, September 8, 1944

Unite and take part in production and political activity to improve the economic and political status of women.~ Mao Tse Tung, July 20, 1949

By increasing women’s participation in the economy and enhancing their efficiency and productivity, we can bring about a dramatic impact on the competitiveness and growth of our economies. ~ Hillary Clinton, September 16, 2011



Ben Mezrich: Once Upon a Time in Russia

Once Upon a Time in Russia is Ben Mezrich’s highly entertaining and informative account of the rise of the so-called Russian oligarchs who accumulated power after the collapse of the USSR. The allusion to the American Wild West is intentional since the period chronicled was nothing short of a seismic shift in Russian society. The story centers around the ascent of two of Russia’s most ambitious oligarchs, Boris Berezovsky and Roman Abramovich, and the complex web of power they wove in order to attain their respective positions. Within this sticky mass are dueling loyalties, inverted moral expectations, and internecine turf wars within and without the government. The book is refreshing because it opens a window of insight into the rise of private industrialists in a country which was (is) highly secretive and outlawed private industry for decades. Though it was certainly not as bloody and repressive as the Bolshevik regime, it was a period filled with plenty of violence and political intrigue in its own right.  Like Mezrich’s other novels, Once Upon a Time in Russia was culled from exclusive firsthand accounts of events, but it reads like a hardboiled political thriller/gangland novel.   

Imagine being an entrepreneur attempting to obtain some semblance of security for commerce and property rights after living under the bootheel of a corrupt kleptocracy which terrorized its own population for 70 years and you get a small sense of the challenges these men faced. Some people are likely to view the oligarchs as the corrupt gangsters who destabilized and terrorized, but in my estimation, this book paints a more nuanced picture. The new, quasi-liberal order in Russia was very fragile, and the only way they could push back against the resurgent Communist Party was buy patronage from the the Yeltsin government. 

You know you’re in for a juicy tale right off the bat. The book opens with a meeting of the oligarchs hosted by Vladimir Putin at none other than Joseph Stalin’s Moscow dacha.  Dashing all hopes that they had just bought themselves a yes-man, freshly installed president, Vladimir Putin, chose an appropriate venue to send the message that the oligarchs were subordinate to the Russian government. Not vice versa.

The story kicks into gear by taking us back to the beginning of Berezovsky’s story.  An assassination attempt on Berezovsky leaves him badly burned, his driver dead and his car a bombed out slag heap. Since he couldn’t get any business done without security, he enlisted the services of FSB agent, Alexander Litvinenko, and became what’s known in Russia as a krysha or “roof”. Taking private money under the table for security work was considered illegal, but given the porous nature of the state institutions in the early days of the newly liberalized Russian Republic, people were often willing to look the other way.

With Abramovich’s partnership and protection from Litvinenko, the two oligarchs set out to consolidate ownership of aluminum, oil, and most importantly, television. The remainder of the story weaves its way through the Yeltsin and Putin regimes as the oligarchs compete for political influence in the new and very tenuous capitalist order. It’s a race for survival and economic power, but the fate of the recently freed Russian economy hangs in the balance.  

As Berezovsky’s influence grew, his ties to Litvinenko came under scrutiny of the bureaucrats in the FSB who had ties to his political enemies and commercial rivals.  Litvinenko was ultimately given an order to execute Berezovsky, but couldn’t betray his trust or patronage.  Berezovsky used his growing influence to unseat the director of the FSB and replace him with an individual he believed to be a reliable yes-man: Vladimir Putin.  How much they had to learn about this former KGB administrator.

After Putin’s election, Berezovsky grew frustrated by his betrayal, and used his own influence in the Russian television station, ORT, to undermine public confidence in Putin. Berezovsky shamelessly exploited the Kursk submarine incident and attempted to make a random military accident a referendum on Putin’s leadership. This overt act of vindictiveness and dissidence forced Putin’s hand resulting in Berezovsky selling his shares in ORT and being exiled from his home country.   

Berezovsky’s antagonism towards the Putin regime threatened the stability of Abramovich’s active interests in oil and aluminum in Russia which sets the former krysha/protege relationship on a collision course.  The escalating tensions between these former business associates culminates in a civil suit over Berezovsky’s claim on assets accumulated during the active years of their partnership. 

Mezrich’s narrative seems to stick to the facts, but he compromises his own objectivity when describing the failing Communist regime as “right-wing”.  Communism is an ideology long associated with the political Left, and the Soviet Republic was, in fact, Marxist doctrine taken to its logical conclusion.  Throughout the book, he refers to Communist hardliners as “conservatives” while describing capitalist reformers as being for “democracy”.  Besides the fact that it distorts the historical legacy of European classical liberalism (and American constitutional conservatism by extension), he’s feeding the standard Right/Left false dichotomy of American politics which places the Left on the side of virtue, reason and decency and the Right on the side of authoritarianism, thuggery and resistance to change. Lenin believed in democracy, too, and it ultimately amounted to nothing. Democracy and economic freedom do not necessarily go hand in hand, and the American Left have more and more in common with the Bolsheviks with each passing election cycle as Bernie Sanders’ campaign amply attests.

Though it’s a minor detail, Mezrich also betrays his bias in his passing mention of Litvinenko’s conversion to Islam and apparent sympathy towards the Chechen Muslim separatists.  Litvinenko’s story certainly wasn’t the focus of the novel, but given the ever increasing prevalence of Islamic terrorism as well as the intensified focus on the connection between Islamic belief and acts of terror, Mezrich missed an opportunity to anchor this story more firmly into the debates of the present.  

Minor flaws notwithstanding, Once Upon a Time in Russia is an entertaining read which shines a light on a slice of history which, like Russian Communism itself, remains largely unknown to America and the West. Highly recommended.

Yuri N. Maltsev: Requiem for Marx

Despite the epic failures of socialism throughout the world, the Left throughout the West has held fast to its perverse and irrational idolatry of the philosophy of Karl Marx.  In America, The Communist Manifesto is the most widely taught economics text in university.  The bookstores of the most elite and prosperous communities are stocked with copies of Das Kapital. Media elites openly trumpet socialism and socialist regimes in major publications without remorse. Socialists now unironically wave banners of Stalin and Soviet flags in public parades and protest rallies. But no matter how spectacularly socialism fails, the Left have mastered the art of apologia when it comes to the writings of Marx. Somehow these failures cannot be attributed to Marxist doctrine. They are handwaved away as merely the unfortunate consequences of bad actors who either misapplied principles or were just despotic malefactors to begin with. Socialists contend either that socialism has never been properly attempted or hold up the welfare states of Scandinavian countries as model societies to which to aspire with no regard for history or market economics. Even worse, Marx’ analysis of capitalism continues to be accorded unwarranted deference, and his quasi-religious promises of earthly plenitude and social harmony continue to hold sway in the consciousness of the Left.

Whatever the reasons for the maddening endurance of this doctrine, what is needed is a stern and thorough repudiation of Marxist doctrine in the court of public opinion.  Preferably, before its adherents do any more damage than they already have done. 

Though others have set out to stamp out the mental cancer of Marxism, there is perhaps no refutation more definitive than Requiem for Marx. Edited and prefaced by former Soviet economist, Yuri N. Maltsev, Requiem for Marx sets out to disassemble and dismantle Marxism root and branch. Comprised of essays by the most notable thinkers in the Austrian tradition, Requiem for Marx lays waste to every facet of this toxic, but seductive ideology. 

Mr. Maltsev’s introduction all by itself should be sufficient to disabuse the average Occupy Wall Street proponent of any fascination with socialism, but it is merely a prelude to the battering ram of truth which follows.  Maltsev describes being indoctrinated to accept Marxist principles from a very early age up to the massive abuses, widespread corruption, indifference, repression and deception he witnessed from within the highest echelons of the Gorbachev regime. While Gorbachev enjoys a reputation in the minds of the Western public as a forward-looking politician, Maltsev paints a far less charitable portrait of a party apparatchik who lacked any intellectual curiosity, and held fast to his belief in socialism despite the large scale collapse happening throughout the Soviet Republic. Most importantly, Maltsev reminds us that rather than being some misapplication of principles, the USSR was, in fact, a sincere and faithful attempt to apply and implement Marxist doctrine.  Put that in your pipe and Bern it, Occupiers.

The chapter written by Hans-Hermann Hoppe is revelatory because he illustrates the parallels between the Austrian and Marxist analysis of exploitation. Marxists and Austrians both posit the existence of a predatory ruling class, but Marxists got it completely wrong by incorrectly pointing the finger at capitalists and producers. Hoppe draws a critical distinction between those who produce and exchange through voluntary contract and the homesteading principle versus those who extract wealth through involuntary and coercive means (i.e. the State). The former are the productive classes and the latter are the parasites.  

Gary North’s examination of Marx’ personal life, spending and borrowing habits, academic output, financial dependence, and absence of any real employment history is absolutely essential because it exposes Marx as the dilettante that he was. The fact that Marx is so heavily favored by pampered, bourgeois academics is sadly appropriate because that’s exactly what Marx himself was.  Not only was he born into wealth and privilege, he married into wealth and privilege, and managed to squander a fortune that easily placed him in the 19th century 1%. Not exactly the hardscrabble life of a working-class prole. Boasting an exhaustive set of original and biographical sources, North paints a picture of a classically narcissistic and predatory personality. Marx was deeply vindictive and spiteful towards opponents both real and perceived, demanded compliance from everyone around him, lived off the patronage of Engels and spent well beyond his means, fathered illegitimate children despite having no gainful employment, and proffered no positive theory of socialism while penning volumes of seething criticism of capitalism. Most tellingly, Marx essentially stopped publishing at age 49, and North argues that this was because Marx had reached an intellectual dead end.  For someone who’s entire theory of exploitation hinged on the idea of class exploitation, the fact that he never bothered to define “class” until the third volume of Das Kapital says quite a bit about the superficiality of his thought. North delivers a stinging rebuke to the political parasites, celebrity socialists, media water carriers and academic wankers who replicate Marx’ cult of personality, venerate his toxic swill, and telegraph their phony concern for the working man while luxuriating in the confines of their gilded fiefdoms. With this chapter alone, Gary North has driven a permanent stake into the heart of the myth of Marx as a Champion of the Working Class.

David Osterfeld’s critique of the Marxian taxonomy of historical modes of production and theory of history completely annihilates the validity of any claim that Marx makes on his system of thought being a genuinely scientific framework.  Throughout his work, Marx makes repeated references to the allegedly irreconcilable contradictions of capitalism, but it appears that few true believers in Marxist doctrine examine the contradictions within the Marxist theory itself.  Among the many confused and confusing notions which emanated from his addled mind, his theory of the inevitability of socialism receives a well deserved thrashing. According to Marx, the material forces of production develop without interruption like some sentient Borg-like hive mind which simultaneously gives rise to the exploitative bourgeois superstructure, improves material conditions and immiserates the proletariat all at once. Individual initiative and innovation play no role in his theory nor does the increased satisfaction that follows from the ongoing material improvement for the vast majority of the population. He simply presents the development of a revolutionary proletarian consciousness laboring under the crushing bootheel of the capitalist machine as an unfalsifiable a priori proposition. Most importantly, Osterfeld illustrates how Marx alternates between a sociological definition of capitalism and an economic one which, if properly distinguished, would have made a clearer separation between the mercantilist interventions of the State and the voluntary nature of market transactions. 

Picking up where Gary North and Hoppe left off, Ralph Raico uncovers the classical liberal roots of the theory of class exploitation and illustrates how Marx perverted the idea and propagated a wildly distorted vision of reality.  Marx cribbed his theories of class struggle from early classical liberal thinkers, François Guizot and Augustin Thierry, but by the end of Engel’s life, the role of the individual in the development of historical materialism had been nearly erased. Through the liberal journal, Le Censeur Européen, Thierry, Charles Comte, and Charles Dunoyer developed the doctrine of Industrialisme, or Industrialism. These thinkers put commerce at the center of society and asserted voluntary exchange as the true engine of virtue, industry, and innovation.  Most importantly, these men also drew critical inspiration from fellow Frenchman and economic theorist, Jean-Baptiste Say.  At the center of the theory of Industrialism was a harsh rebuke to the intervention of the State in economic affairs. All of these theorists correctly identified the State and its enablers as the idlers, exploiters and parasites. Marx and his followers ended up turning this analysis on its head and pitting workers against capitalists while assigning an unwarranted illusion of virtue to the expropriative power of the State.  

Coming in for the coup de grâce is the late, great Murray Rothbard. Drawing from a mind boggling collection of original and secondary sources, Rothbard argues that the Marxian pursuit of Communism was, in fact, religious in nature. Rothbard argues that not only was the Marxian pretense of secular scientific rationalism a pathetic farce, but his work had roots in religious millennarian prophecy which seeks a Kingdom of God on Earth.  Just as Marx’ economic thought was built upon the foundations of British Classicism, his pursuit of communism was merely a repurposing of the work of 16th century religious zealots who also saw inequality as a moral sin and sought redress through confiscation and conscripted labor. Rothbard focuses in particular on the first large scale attempt at Communism in Europe based on the teachings of the megalomaniacial eschatological Anabaptist, Thomas Müntzer.  Though Müntzer’s initial attempt at Anabaptist Communism in the city of Muhlhausen was another abject failure resulting in mass death and his ultimate execution at the hands of the German monarchy, his ideas carried on and were implemented by others to similarly disastrous results. The zealots who picked up the torch of eschatological Anabaptist Communism eventually gravitated to the city of Münster, and under the leadership of another set of proto-Lenins, Jan Matthys and Jan Bockelson, the first major experiment in socialist dictatorship was imposed.  All the features that defined every modern Communist dictatorship were present in the Münster experiment. Private property was confiscated, labor was coerced, disobedience was met with capital punishment, and the lionshare of the produce of society was reserved for the self-appointed elites. 

Rothbard also points out that Marx was a Christian in his youth before he adopted Hegelianism as a college student and his megalomaniacal ambitions, nihilism and abject hostility to humanity were present in his early attempts at play writing and poetry. 

Among the many failures of logic in the Marxian framework is his inability to reconcile market prices to the value of labor inputs. The entire edifice of Marxism rests on the premise that market prices must reflect the value of labor inputs and that the relationship between capitalist and laborers is exploitative by nature. Rothbard neatly emphasizes that Marxists have neither adequately responded to Eugen Böhm-Bawerk’s critique of this aspect of the Marxian system nor come to grips with the insights of the Marginalists.  

Rothbard correctly observed that ideas are notoriously hard to kill even if they’re demonstrably bad ideas like Marxism.  The fact that Marxism forms the backdrop of thought for contemporary sociology, the new secular religion of the Left, is unsurprising. Predictably, the loudest advocacy for socialism is coming from the academic class via gender studies, critical race theory and other variations in postmodern social analysis. These new school socialists have simply put a new veneer on an old formula.  The New Kingdom of God on Earth will be achieved by eradicating racism and sexism. And of course, the age old gripe against inequality of outcomes must be rectified through confiscation and redistribution (aka “economic justice”). There’s no doubt these secondhand theories emanate from the same poisonous well of thought from which Marxism itself emanates.  

The debate against socialism should have been settled long ago.  Sadly, Marxism has retained its place as the unofficial religion of the Left since the Left has no firm principles and, like their Marxist forebears, have made the State their religion. The fantasy of “equality” and the yearning for a secular morality coupled with a prefab indictment of free market capitalism all conspire to keep Marxism alive. Subsequently, academic con artists, media dittoheads, and political hacks are aggrandized and their pretentious paeans to the proletariat proliferate. Aging Boomers and their patchouli soaked, non-binary, queer positive, trustafarian progeny lured by promises of “social and economic justice” and a sweet Simon and Garfunkel soundtrack regurgitate their braindead slogans like manna from heaven while what remains of the free world marches down the road to serfdom once again.  

Perhaps humanity needs to learn its lessons the hard way by repeating its mistakes a few times. It would be nice if it didn’t have to come to that. Marx and his system have been refuted many times over, and this magnificent collection of essays has earned its rightful place as the final epitaph for a philosophy that’s well past its expiration date. It’s high time that socialists pay attention. 

Live Aid: The Terrible Truth

Live Aid: The Terrible Truth

If you haven’t yet read Spin magazine’s stunning exposé of the true legacy of Live Aid, you owe it to yourself to give it a read.  Just like the other well-intentioned social justice musical venture whose legacy is equally dubious, Artists United Against Apartheid, this story proves that there is a vast difference between virtue signalling and being a champion for the expansion of human freedom and market economics. 

There isn’t much that needs to be added to this story other than to emphasize that Marxism creates misery and oppression everywhere it travels, and that the progressive narrative of an all-encompassing white supremacist, capitalist patriarchy is once again exposed for the pathetic, childish farce that it is. 

Margaret Sanger: Woman and the New Race

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The majority of the ideas one encounters in modern feminism can be traced back to two movements: suffrage and birth control. While suffragists agitated for political equality in order to redress various social and civic inequalities both real and imagined, the birth control movement sought liberation by controlling the one aspect of female biology intrinsic to the continuity of the human race itself.  By Margaret Sanger’s reasoning, womanhood could not be truly emancipated unless reproduction itself could be controlled.

The woman suffrage movement had many notable proponents, but the birth control movement’s preeminent intellectual was Margaret Sanger.  Sanger remains the acknowledged founder of Planned Parenthood, but her name and ideas are scarcely discussed nowadays even by those who ardently defend contraception and abortion in the public sphere.  After reading Woman and the New Race, it’s little surprise that this is the case.  Sanger may be superficially lauded as the Great Emancipator of Womyn for helping bring the first birth control pill to the market, but the beliefs she openly espoused in her writings reveal some views which I suspect would make many reasonable people recoil in horror. Especially sanctimonious PC social justice warriors. Sanger’s views were alternately vile, cynical, misanthropic, deeply delusional and, given her focus on poor and working classes, virulently racist.  It’s ironic given feminism’s smug posture of moral superiority.  Ironically, this irritating virtue signalling often includes accusations of racism that are hurled towards others almost by default by feminists and social justice warriors alike.

Woman and the New Race is Sanger’s birth control manifesto as well as a foundational text for a great deal of the contemporary feminist worldview. Like the writings of her collectivist progenitors, it is rife with fallacious notions, utopian delusions, dubious assumptions, and fascistic overtones. However, this isn’t to say that the book is completely devoid of sound reasoning. There are a few solid points here and there as well as some genuinely surprising sentiments to be found amidst this slag heap of mad hattery. 

Sanger’s socialist sympathies were well known, and this book follows a pattern of reasoning common to socialists.  Rather than viewing humanity as individuals with individual agency, she sees humanity through a Marxist lens of class and gender oppression.

Whether she won her point or failed to win it, she remained a dominated weakling in a society controlled by men.

Sanger’s opening argument is little more than question begging. This is not to deny actual acts of repression or subjugation by individuals, but by the time of this book’s publication, women had attained full suffrage, property rights, access to education and labor markets and had made great strides towards equality of treatment under the law.  If men were as intent on controlling society as she alleges, would women have been granted any of these rights or opportunities in the first place? There’s also no acknowledgement of feminine “soft power”. In other words, there’s no acknowledgement of the fact that through both biological and evolutionary psychological imperatives, manhood has been motivated and energized by protecting and providing for women thus ensuring the continuity of the human race itself. In statements like these, one also detects the unmistakable hints of the possible origins of contemporary feminist victimology; the now prevalent theory of an omnipresent, patriarchal oppression.  This also possibly explains the messianic megalomania endemic to contemporary feminism.  

It makes no difference that she does not formulate industrial systems nor that she is an instinctive believer in social justice. In her submission lies her error and her guilt. By her failure to withhold the multitudes of children who have made inevitable the most flagrant of our social evils, she incurred a debt to society. Regardless of her own wrongs, regardless of her lack of opportunity and regardless of all other considerations, she must pay that debt.

Like all other socialists, Sanger is a would-be moralist and a socio-biological engineer who wears a fig leaf of secular rationalism in order to justify her misanthropic authoritarian designs to “remake the world”.  Also like every other demagogue, authoritarian, and cult leader, Sanger deploys her own theory of Original Sin right at the beginning. Sanger’s argument is essentially that all of the moral blights of humanity can be traced to womanhood’s subjection and subordination to a role of excessive and involuntary reproduction.  She immediately removes individual agency by generalizing and collectivizing all moral transgression. Sanger views the world through a lens of determinism and sees the solution purely through the management of biology.  To Sanger, the entire spectrum of human suffering, depravity and degradation can be attributed to this phenomenon alone.

Caught in this “vicious circle,” woman has, through her reproductive ability, founded and perpetuated the tyrannies of the Earth. Whether it was the tyranny of a monarchy, an oligarchy or a republic, the one indispensable factor of its existence was, as it is now, hordes of human beings—human beings so plentiful as to be cheap, and so cheap that ignorance was their natural lot. Upon the rock of an unenlightened, submissive maternity have these been founded; upon the product of such a maternity have they flourished.

This is her core argument for birth control, and the remainder of the book is comprised mostly of exposition over this single fallacious argument. 

Sanger’s misanthropy and insanity really starts to pin the meter in Chapter 5, The Wickedness of Creating Large Families.  On its face, it’s a wildly perverse and hateful notion. Given the fact that Sanger dedicates the book to her own mother who gave birth to eleven children, it’s more than reasonable to surmise that Sanger is projecting her own unresolved psychological issues.  Obviously, there are women who give birth under duress and coercion under deeply inhospitable, unsanitary and inhumane circumstances the world over.  However, Sanger is presenting a pretty broad generalization about motherhood and child birth which flies in opposition to any basic notion of individual female agency.  Modern feminists constantly flog the primacy of individual choice when it comes to terminating pregnancy, but this bit of moralizing against any notion of choice regarding the creation of a large family seems pretty hypocritical.

The most serious evil of our times is that of encouraging the bringing into the world of large families. The most immoral practice of the day is breeding too many children. These statements may startle those who have never made a thorough investigation of the problem. They are, nevertheless, well considered, and the truth of them is abundantly borne out by an examination of facts and conditions which are part of everyday experience or observation.

She persists in her absurd insistence that there is a direct connection between the propagation of large families and the prevalence of child labor, poverty, and war. Not only does she fail to substantiate the claim, she’s baked some questionable assumptions into the phenomena she deems to be moral transgression. 

War, famine, poverty and oppression of the workers will continue while woman makes life cheap. They will cease only when she limits her reproductivity and human life is no longer a thing to be wasted.

Child labor has been canonized in history books as an inhuman relic of a bygone era, but mainstream discussion is devoid of any mention of how the movement to criminalize child labor was part of a larger effort to privilege unions. While there was undoubtedly truth to the worst horror stories of children working in dirty and dangerous conditions, these stories fail to take into account that, for many families, there were few, if any, alternatives. The undeniable trend in market economies the world over is that capitalism has been an engine of upward economic mobility and prosperity. Dangerous, dirty factories have given way to labor saving machines and mass innovations in automation and robotics. Given present levels of youth unemployment and the dearth of skilled labor in the current market, one could argue that this ingrained belief in the harm of child labor has contributed to an overall degradation of the principle of work as a virtuous activity

Sanger deploys the classic false antagonism between capitalist labor saving innovation and the demand for manual labor amongst the working classes. She predictably presents it as yet another zero sum game. To her credit, she attempts to groud her support of labor unions in an actual economic argument. She correctly posits that if the supply of labor is lower than the demand, employers will pay a premium in wages and benefits in accordance. Therefore, she argues that the only way to reconcile the cycle of antagonism between capital and labor is permanently lower the supply of working class labor through birth control. Naturally, Sanger completely ignores the opportunity for new skill acquisition and enhanced productivity that technological innovation presents for the working class. Individual initiative, upward economic mobility through education, apprenticeships, and entrepreneurship play no role in Sanger’s grim, fatalistic calculus. For Sanger, the working class are just hapless dullards doomed to vie for scraps of a fixed pie of economic prosperity whose prospects are only improved by thinning the herd.  Nothing elitist or cynical about that at all.

It will be the drama of labor until labor finds its real enemy. That enemy is the reproductive ability of the working class which gluts the channels of progress with the helpless and weak, and stimulates the tyrants of the world in their oppression of mankind.

Sanger’s demonization of prostitution is yet another example of outrageous feminist hypocrisy, would-be moralism and puritanism which carries on to this day. Apparently, “my body, my choice” only applies to women seeking access to abortion clinics.  It especially doesn’t apply if celebrity feminists disapprove. There are undoubtedly arguments to be made around the forces that contribute to anyone’s decision to pursue prostitution as an occupation, but Sanger’s denial of individual agency and self-ownership is deeply revealing. 

By far, her most asinine claim is that excessive child bearing is the cause of war.  While the nation state certainly needs the malleable minds and youthful vigor of its population in order to power its war machine, she’s giving the politicians an inexplicable pass on the one moral question that truly deserves a more robust rebuke than the manipulative sophistry with which she presents us. It’s especially mind boggling that she would attribute warmongering to excessive breeding given the fact that her analysis of the deceptive machinations of the political class is surprisingly accurate.

Diplomats make it their business to conceal the facts, and politicians violently denounce the politicians of other countries. There is a long beating of tom-toms by the press and all other agencies for influencing public opinion. Facts are distorted and lies invented until the common people cannot get at the truth. Yet, when the war is over, if not before, we always find that “a place in the sun,” “a path to the sea,” “a route to India” or something of the sort is at the bottom of the trouble. These are merely other names for expansion.

Even the preface penned by sexologist Havelock Ellis parrots this moronic, elitist nonsense. Ellis and Sanger apparently share the belief that the decisions made by those who wield actual power don’t really count.  One wonders if he counts himself among the “the ignorant, emotional, volatile, superstitious masses,” or if he’s flattering the pretensions of intellectual superiority of his progressive audience. 

These facts have long been known to the few who view the world realistically. But it is not the few who rule the world. It is the masses—the ignorant, emotional, volatile, superstitious masses—who rule the world. It is they who choose the few supreme persons who manage or mismanage the world’s affairs.

Sanger attempts to bolster her case with what amounts to an extended appeal to emotion through a collection of anecdotes. She piles on one tale after another of crushing, Dickensian poverty and woe.  Using correspondence from what we assume are authentic letters from women living lives of abject desperation and are afflicted with physical ailments ranging from tuberculosis to typhus, Sanger plunges the reader into a pit of misery.  While it’s fair to concede that the stories were true, it’s equally fair to regard these stories with some measure of skepticism, too. If Sanger were truly an empiricist, she would have to perform a longitudinal study tracing economic outcomes for every child born into what she considers a large family to prove the causal link she asserted.

Conversely, she indulges another common fallacy that pervades contemporary intersectional feminist theory to this day. Sanger automatically accords legitimacy to the mother of financial means as one who is able to raise children properly and instill virtuous values.  Modern feminists reflexively view race and economic status as evidence of “privilege,” but Sanger views the mothers in good economic standing as good mothers by definition.  The possibility of a wealthy mother who is, in fact, a bad mother is never mentioned nor is the possibility that a mother of a large family is a good mother. Wealthy mothers are just as capable of abuse and neglect just as anyone else just as a mother of a large family of modest means is capable of providing love and guidance to her children.

Even when Sanger attempts to illustrate the medical reasons excessive child bearing is unhealthy, she punts her entire argument with what amounts to a handwave.  Nowadays, we can use the internet to look things up, but Sanger would have bolstered her case with some actual citations as she does in other sections. 

The opinions which I summarize here are not so much my own, originally, as those of medical authorities who have made deep and careful investigations. There is, however, nothing set forth here which I have not in my own studies tested and proved correct.

Sanger devotes a great deal of attention to the plight of immigrants and views their economic status and squalid lives as an intractable reality which leads directly to lives of moral degeneracy.  If Sanger were to utter these sentiments today, one presumes she would be as reviled as Donald Trump is today.  Sanger certainly raises valid questions around how well equipped immigrants were to compete in a market economy that was undergoing rapid industrialization and technological advancement. They’re questions that are even more relevant now given the rising numbers of Muslim immigrants in Europe and the US.  Unless the government were to initiate a compulsory mass sterilization program as Sanger has proposed in other writings, contraception would not address the skill and education gap amongst of the immigrant population that was already alive.

Over one-fourth of all the immigrants over fourteen years of age, admitted during the two decades preceding 1910, were illiterate. Of the 8,398,000 who arrived in the 1900-1910 period, 2,238,000 could not read or write. There were 1,600,000 illiterate foreigners in the United States when the 1910 census was taken. Do these elements give promise of a better race? Are we doing anything genuinely constructive to overcome this situation?

Woman and the New Race reveals what is perhaps at the root of modern feminism’s pretentious aura of mysticism, mantle of unearned moral superiority and quasi-religious overtones. Throughout the book, Sanger makes appeals to the liberation of the “feminine spirit”.  She insists that this spirit is both unique to the female, and is also uniquely benevolent when liberated. For Sanger, this “liberation” means abstention from procreation, and It is a premise that is both unfalsifiable and vaguely supremacist.  If anything, this belief has been inculcated into subsequent generations of feminists and has metastasized into an overt hostility to motherhood. 

It is this: woman’s desire for freedom is born of the feminine spirit, which is the absolute, elemental, inner urge of womanhood. It is the strongest force in her nature; it cannot be destroyed; it can merely be diverted from its natural expression into violent and destructive channels.

One of the more delicious ironies of Woman and the New Race is how Margaret Sanger’s attempt to remove the fear of childbirth from sex through contraception has become completely undermined by the fear mongering wrought by the modern feminist myth of a “rape culture”.  Sanger was a clear and vocal proponent of enjoying sex without the consequence of giving birth to a child, and yet, her “free love” advocacy has been completely upended by modern feminism’s pursuit of so-called “affirmative consent”.  If anything, feminists have seemingly turned back the clock on sexual liberation and are solidly intent on instilling a culture of fear through a state enforced neo-Victorianism.   Nowadays, you’re more likely to find Sanger’s brand of sex positivity coming from a porn star than a feminist. 

Perhaps the most interesting of ironies in the book is Sanger’s open opposition to abortion. Most people likely equate Planned Parenthood with abortion, but Sanger herself wasn’t terribly supportive of the procedure itself as a form of birth control.

While there are cases where even the law recognizes an abortion as justifiable if recommended by a physician, I assert that the hundreds of thousands of abortions performed in America each year are a disgrace to civilization.

Woman and the New Race is a book that’s both of its time, yet completely contemporary in that so much of what she sought has been achieved and the ideas she promoted are so deeply embedded in feminist thought. Roe v. Wade is an article of faith for feminists everywhere, and anyone who opposes it is automatically branded an enemy of womynhood. Birth control of every kind is readily accessible, but if an employer dares to oppose compulsory payment on religious grounds, the feminist hysteria machine will go into overdrive. Apparently, women are too incompetent to purchase their own contraception without government subsidies or mandates. The feminist industrial birth control/media/academic complex are so deeply invested in propagating the notion that access to birth control educational materials, contraception and abortion clinics are a mere federal motion away from being outlawed out of existence. Feminists and Planned Parenthood activists seem unwilling to acknowledge how much ground they’ve gained. Like Sanger herself, they portray themselves as an embattled special interest under perpetual assault by forces that are so much more powerful.

The saddest legacy of Sanger and Woman and the New Race is that Sanger’s Marxist sophistry, nihilism, racism and postmodern, relativist moralism has become its own contemporary article of faith. Intersectional feminism has become its own perverse cult with pretensions of a secular morality which reflect the very rottenness and moral void at the center of Sanger’s wretched and detestable worldview.  The fact that we now live in a world where you demonstrate your commitment to “women’s rights” is by proclaiming your political allegiance to the politicians who promise access to abortion services is the very expression of the “morbidity” against which Sanger inveighed in her time. 

Margaret Sanger can be given a modicum of credit for challenging the strictures and prohibitions of her time by promoting birth control, and subsequently, a woman who enjoys greater liberty to procreate or not.  But the bulk of her philosophy must be recognized for what it was: a vile, hateful, supremacist, and cynical view of the world which negates individual responsibility and promotes a sense of victimhood. 

Thomas E. Woods: Bernie Sanders is Wrong

We’re living in dark times, and just about everyone can give you his version of evidence that civilization is on the brink of collapse.  For some, it’s Donald Trump. For others, ISIS.  Choose your preferred harbinger of the End Times.

For me, there is one person who’s proven that we’ve reached an absolute nadir and earned my deepest contempt.  The one man who provides the clearest evidence of a total collapse of American principles in politics and culture is the presidential candidacy of Senator Bernie Sanders of Vermont. 

After spending his entire adult life as a political parasite espousing openly Marxist views and sympathies towards brutal Communist dictatorships, Sanders is currently enjoying his fifteen minutes of fame as The Principled Democratic Socialist Who’s Sticking It To The Fat Cats. Despite his highly dubious legislative record which includes support for Clinton’s Kosovo bombing campaign, the 1994 Crime Bill, four Iraq War appropriations bills as well as the notorious boondoggle known as the F-35, Sanders enjoys a largely unquestioned reputation as a politician of spotless virtue and courage. Fortunately, intellectual titan and all around champion of liberty Tom Woods, has assembled a collection of transcripts from his indispensable podcast which systematically dismantle Sanders’ carefully crafted edifice of would-be moral rectitude and misguided policy prescriptions.  

Sanders’ platform is not even remotely new or innovative, and if anything, is comprised merely of more expansive and bloated versions of pet projects that have been incubating within the Left for decades.  What’s actually new about the Sanders phenomenon is that he’s packaged them into a unified political agenda and is presenting them on a national stage as ideas which belong in the Democratic Party platform.  This is especially interesting and noteworthy given that Sanders has spent his entire political career in DC officially as a self-described Independent, but as a “democratic socialist” in public

Naturally, Sanders and his supporters have gone to great lengths to distance themselves from the undeniable legacy of misery, repression, and economic dysfunction that’s been the hallmark of every socialist regime in history by condescendingly handwaving away any comparison between Bernie’s vision of socialism and the repressive dictatorships of past and present. Bernie doesn’t want Venezuelan socialism, he wants the nice version of DEMOCRATIC socialism like they have in Scandinavian countries!  By invoking the welfare states of Northern Europe, Sweden and Denmark in particular, as irrefutable evidence that socialism is benign and benevolent, Sanders and his loyal Berners consistently and fallaciously argue that these are, in fact, socialist success stories AND that Sanders’ magical campaign promises will produce a comparable or greater outcome here without so much as a shred of evidence on which to base the ludicrous claim or the slightest concern for potentially adverse effects of implementing such an agenda.

Of course, these promises and glib pronouncements are either pathetic, manipulative delusions or outright falsehoods and distortions of reality.  Tom Woods’ magnificent little book walks you through his entire agenda point by point and succinctly illustrates exactly why Bernie Sanders is Wrong.

The book is divided into four sections which cover the central pillars of his agenda: Sanders’ designs on implementing European-style welfare state policies, government subsidized renewable energy, minimum wage, and income inequality. 

Woods starts off by letting out the gas in the hot air balloon of Scandinavian welfare state idolatry.  Johan Norberg lays out a century’s worth of historical context around Sweden’s economic rise which includes a period of 50 years of laissez faire policy which created the prosperity for such a generous welfare state in the first place. The decline in Sweden’s overall prosperity after the implementation of the welfare state is never mentioned by Sanders or his supporters, nor are the policies which are friendlier to business. Norberg also discusses the ways in which the advent of the welfare state destroyed cultural bonds of trust that were forged over decades of organic social cooperation and market driven policy in a country that was, in fact, a white, Nordic monoculture. A fact that’s conveniently omitted by multiculturalists.   Woods chose to limit the scope of his excerpt to Sweden’s economic history and development, but this section could have been further strengthened by some mention of the failure of immigration policies and the collapse of social cohesion which has been hastened by force feeding the population feminism and multicultural social justice politics.

Professor of Economics from Aarhus University, Christian Bjørnskov, unpacks the seemingly ubiquitous myth of Denmark as “the happiest country in the world.” Naturally, the Berners will chalk this up to the size of the welfare state and government mandated benefits, but Bjørnskov provides some sobering perspective. The benefits conferred by the welfare state do not contribute to an individual’s active pursuit of happiness, but simply become baked into the expectations of each citizen that aren’t consciously chosen. Subsequently, it breeds a higher level of entitlement amongst the population as well as a disincentive to produce. Bjørnskov makes a very interesting point about how state mandated 52-week maternity leave creates an artificial incentive for women to become mothers and often diminishes their future employment prospects. He concludes with some fascinating data about how the welfare state disincentivizes actual charity as well as some intentionally neglected liberal policies, like those found in Sweden, which are friendlier to business than the US.

Robert Bryce and Alex Epstein take a sledgehammer to the deathless progressive claims of the necessity of government investment in renewable energy.  Bryce argues that if environmental protection is a priority, then the density of the energy source must be the primary measuring stick.  Outrageous calls for a 20-fold reduction of fossil fuels are little more than a death sentence since renewable energy sources are not even remotely close to filling present or rising energy consumption needs. Epstein tackles the issue from both the moral and empirical perspective and elucidates some critical points that are absent from climate change alarmist script.  Environmentalists consistently agitate for minimizing human impact for non-human life while ignoring positive metrics for humanity that are the direct result of cheap and plentiful fossil fuels. 

Of all the progressive policy myths which have been the most durable, the minimum wage has enjoyed an extraordinarily long life.  Like everything Sanders says, it has tremendous surface appeal because it gives the illusion of expanding prosperity, but the opposite is true. Former DOL economist, Diana Furchtgott-Roth swings a wrecking ball of truth against Sanders’ flimsy claims.  The arguments against minimum wage will be familiar for those who actually investigate economics for 5 minutes, but as the appeal of Sanders attests, rationality and logic has yet to prevail. If you’re truly concerned about the welfare of the poor, then don’t criminalize work for low skill laborers whose labor isn’t worth $15 per hour, and most of all, don’t try to sell low skilled labor as a lifelong career path. The fact that Sanders is peddling minimum wage as a centerpiece of his economic platform shows how bankrupt his agenda is.  For Sanders, creating wage floors on low skill labor and subsidizing college education without regard for what a student actually studies will somehow magically create prosperity. 

Loyola University professor, Thomas DiLorenzo, adds some additional historical insight into the racist origins of minimum wage while bursting the mythology of labor unions as drivers of upward economic mobility.  Progressive era business owners didn’t want to have to compete with firms who could hire cheaper black labor, so they agitated for minimum wages to price them out of the labor market and inhibit black economic upward mobility.  By using the club of the State to criminalize non-union labor, unions make the market less competitive and only enshrine a culture of entitlement and mediocrity. 

Another gaping hole in the Sanders platform mentioned briefly in the book is his disregard for the skill gap that already exists within the US labor force.  While Sanders touts his confiscatory plans for subsidizing every art history and gender studies degrees for middle-class Americans, he ignores the 5mm jobs that are unfilled largely due to a shortage of skilled labor.  Apparently, it’s more important to subsidize college so kids can study The Communist Manifesto and agitate for safe spaces than prepare them for adulthood with marketable skills.

Among the most revelatory chapters is the interview with physician and entrepreneur, Dr. Josh Umbehr.  Dr. Umbehr runs a concierge medical practice modeled on a Netflix/Costco-style membership which covers the general practice medical services people actually need. For a monthly fee, people can gain access to any general practice medical care they need including home, office or online consultations.  He explains how opting out of the ACA’s bureaucratic straightjacket allowed him pursue a business model that lowered costs, increased access and provided a better value for all of his patients.  Just like virtually every other scientific profession, he encountered an antagonistic attitude towards business throughout his education, but ultimately rejected the false dichotomy.

Mark Perry from University of Michigan takes another swing at the seemingly indestructible myth of the so-called gender wage gap. Aside from equally laudable takedowns of this talking point by Christina Hoff Sommers, Claudia Goldin and seemingly countless others, Sanders, the feminist media/academic industrial complex and the Tumblrista Brigade won’t let this die.  It doesn’t matter that women consistently choose different career paths that are less strenuous and less remunerative. It doesn’t matter that the Equal Pay Act of 1963 is already law. It doesn’t matter that women work fewer hours in aggregate.  It doesn’t matter that motherhood plays a major role in a woman’s career choices and ambition.  Sanders flogs this meme because it sounds good and scores “Equality” points with his base. 

Scott Winship, Don Boudreaux, and Grant Phillips round out the book with some excellent discussion of free trade, inequality, and rising living standards resulting from capitalism. Sanders focuses solely on metrics that invoke outrage, greed, and envy while ignoring the affordability and accessibility of technology and consumer conveniences that were inconceivable to previous generations.  The schism between unskilled labor and the acceleration of automation is an issue that warrants further discussion and scrutiny since it tends to validate arguments for universal income and the imminent arrival of the post-scarcity economy amongst the Berners. 

Even if one sets aside all of the failures of morality and logic inherent in Sanders’ agenda, his pursuit of the Democratic presidential nomination seems both deeply opportunistic and fully at odds with his carefully cultivated pretense of principled independence. Beside the fact that he’s carefully avoided throwing any hard punches at Hillary, he’s only embraced the Democratic Party after assiduously avoiding identification with the Democratic Party throughout his entire career in Congress. Why should the Democrats embrace Bernie-come-lately as the leader of their party? If he really saw himself as a political maverick, why would he hitch his wagon to the DNC unless he had no real intention of clinching the nomination in the first place? He blames it on “the structure of American politics”, but not only is this a whiny cop out, it’s contrary to his previous public statements about the necessity of a third party.  It seems he’s only interested in enjoying his cult of personality on the taxpayer dime while tilling the soil for a more overtly socialist tenor in Democratic Party politics.

Bernie Sanders’ candidacy perfectly epitomizes the classic socialist con game; lots of soaring appeals to secular morality, manipulative declamations around “equality”, and promises of bread and circuses which mask a naked hunger for power fueled by a blatant ignorance of and contempt for basic economics. Despite everything, Sanders’ reputation is seemingly beyond reproach to his loyal Berners. By carefully omitting his partisan support for the central bank, warfare and police state and maintaining rigid message discipline, Sanders has very skillfully avoided deep scrutiny from most of the media. The truth is that Sanders doesn’t have a single original idea in his policy toolkit, and his entire agenda should be called by its true name: soft Bolshevism. Thanks to Tom Woods’ excellent little book, he is exposed as the contemptible, parasitic fraud that he is.

What Happened to the 80’s Anti-Apartheid Dream?

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You got to say I, I, I
Ain’t gonna play Sun City
I, I, I ain’t gonna play Sun City

Steven Van Zandt and a multiracial supergroup, Artists United Against Apartheid, created the anti-apartheid rallying cry heard around the world. It played a significant role in turning public opinion against South Africa’s regime of racial segregation and towards full political enfranchisement for the black majority of South Africa. 

Artists United Against Apartheid was Van Zandt’s brainchild, and followed the pattern of other star-studded affairs by attracting industry heavyweights from across the music spectrum. It also distinguished itself by being tilted ever so slightly towards the edgier end of the pop spectrum by including jazz, rap and punk rockers.

As much as I might be inclined to view Macklemore’s loathsome preachiness as a phenomenon unique to our Age of Multiculturalism and Social Justice, he pales in comparison to the stadium level, globe spanning virtue signalling which occurred throughout the 80’s.  Pop music has always been a vehicle for political protest and social commentary, but the particular brand of “racial justice” grandstanding which is Macklemore’s stock in trade definitely had antecedents in the glossy megaconglomerations of the 1980’s.

Though USA for Africa, Band Aid and Live Aid captured the attention of the masses and drew widespread attention to the plight of starvation in Africa, Artists United Against Apartheid was unique in that it was a protest against the de Klerk regime. It was also an organized boycott of the Sun City resort and a call for economic sanctions against South Africa.  While I can appreciate that the track and the project was animated by a genuine spirit of human goodwill and brotherhood, I think it’s worth taking a look of the song’s allegedly “apolitical” message and the quality of life for post-apartheid South Africans in light of recent current events in South Africa.

On the surface, the political situation in South Africa cried out for change and justice.  The repressions and abuses of the South African National Party and the facts behind the construction of the Sun City resort created a perfect subject for a protest track. State enforced segregation, violent crackdowns, and mass relocations were among the list of human rights abuses perpetrated by the regime.  Add Reagan’s policy of “constructive engagement”, and the standard narrative of the white supremacist conspiracy of capitalist state power writes itself. 

What’s more difficult to appreciate and less frequently discussed is that there was a sharp competition of economic ideas between the nascent ANC and the various militant African nationalist factions vying for political power and the minority National Party.

By his own account, Van Zandt sought the cooperation of militant group, AZAPO; a group which not only espoused socialist political beliefs, but were willing to use violence to achieve their political ambitions.  Van Zandt apparently had to dissuade them from targeting Paul Simon for assassination.

Listen, this is not gonna help anybody if you knock off Paul Simon. Trust me on this, alright? Let’s put that aside for the moment. Give me a year or so, you know, six months.

Van Zandt goes on to recount his disagreement with Simon over Mandela’s own political views. Van Zandt displays a typical leftist bellicosity towards Simon and dismisses his allegation simply because he cited Henry Kissinger as the source of his information.  But neither Kissinger’s or Simon’s claim was without foundations in fact. Mandela may not have been a communist, but he sure sounds like one.  

Today I am attracted by the idea of a classless society, an attraction which springs in part from Marxist reading and, in part, from my admiration of the structure and organization of early African societies in this country.

His association with the South African Communist Party wasn’t exactly a secret either.  While it wasn’t necessarily a carbon copy of the Communist Manifesto, the Freedom Charter was a solidly socialist program and became the guiding document of the ANC.  In his legendary 1964 Rivonia Trial speech, Mandela himself acknowledges as much.

Under the Freedom Charter, nationalization would take place in an economy based on private enterprise.

So what does this have to do with the “Sun City” track itself?

When Rolling Stone ranked “Sun City” as 100th greatest song of the 1980’s, Bono describes the message of the track in the following manner.

This is apolitical. It doesn’t matter what side you’re on — this is common sense.

See? It’s just “common sense.” But the lyrics are pretty explicit about the nature of the injustice in South Africa.

23 million can’t vote
‘Cause they’re black
We’re stabbing our brothers
And sisters in the back

Van Zandt was equally explicit about the call for economic boycott.

I thought in order to change the system, we need to enforce this cultural boycott as a means of getting to the economic boycott, which is really where the action is.

Despite winning the battle of public opinion, witnessing the release and election of Nelson Mandela, Van Zandt affected a phony posture of humility and declined to attend his inauguration and directs blame towards the Reagan administration for their alleged support of the de Klerk regime. 

Social justice warriors, artists and politicians alike agitated for economic sanctions, congratulated themselves for their moral righteousness, and went on to systematically ignore the consequences of these policies on South Africa’s already fragile economy. An economic contraction that would affect tax revenues and purchasing power for a population which depended heavily on redistribution.

One effect of this capital outflow has been a dramatic decline in the international exchange rate of the rand.  This means that imports are increasingly expensive.  It has also helped fuel South Africa’s inflation rate, which at 12-15% per year, is much higher than its major trading partners.

All of which brings us to the present. 

Longtime ANC veteran and current president, Jacob Zuma was charged with raiding the public treasury to fund improvements to his home to the tune of 246 million rand, or about $16.7 million at current exchange rates.

Where is the international condemnation of Zuma from artists?

Van Zandt and countless others agitated for universal suffrage and equal representation in the South African government, but has this made a material difference on the quality of life in South Africa?

By any objective measure, the results are negligible and have perhaps deteriorated further since the demise of apartheid.

Unemployment has remained stuck above 20% for years and certainly hasn’t improved since Mandela and the ANC came to power.  Few black children are raised by both parentsEducational performance is consistently dismalViolent crime persists, and a minority of taxpayers are subsidizing one of the world’s biggest welfare states.  Loose monetary policy has fueled the same speculative bubble in South Africa as it has throughout the developed world.  Politically motivated violence is a common feature of post-apartheid South Africa.

Everyone involved in AUAA was apparently so focused on the attainment of political power, but placed no emphasis on the necessity of economic development.  Even Bono has acknowledged that recently

But their hearts were in the right place, so why get so incensed over a pop track?

Perhaps. I would feel a little bit more charitable towards this effort if it was a one-time phenomenon, but this type of “racial justice” activism was at the very least, an early template for virtually every social justice campaign you can name.

Nowadays, if there anythng done or said that has the slightest perceived hint of a discriminatory attitude, the calls for retribution and censure from the social justice crowd is swift and immediate. With an equal disregard for economic consequences.  All that apparently matters is that egos are satiated by upholding the virtues of Social Justice prescribed by its self-appointed gatekeepers. 

But what about the track itself?

It’s pretty good.  It’s a stylistic hybrid that is a reflection of the people who recorded it; a hip-hop/Afropop flavored rave up with a fist pumping chorus.  It is propelled by its sense of righteous indignation so effectively, you can almost ignore its guilt tripping preachiness.  It doesn’t even get sunk the pretentious affectation of Lou Reed’s laughable cameo. 

I do not doubt that Steve Van Zandt and the artists who contributed to the AUAA project had the best of intentions.  Unfortunately, we now live in a world where good intentions are often all that’s required with little or no attention given to the political consequences of good intentions. 

The standard narrative that the Reagan administration’s support for the de Klerk regime was animated by racism doesn’t stand up to scrutiny either. Not that anyone on the Left would be that charitable towards a conservative, but anti-communist sentiment was white hot during the 80’s, and even if the fears of communist global expansion were exaggerated, I don’t begrudge Reagan for fearing the rise of another socialist regime in South Africa.  Besides, if that criticism is going to be levelled at Reagan, then it should be made of his predecessors as well.

I also do not begrudge AUAA for making a bold political statement.  In fact, I would prefer to see more artists express their political convictions with such fervor.  Of all the realms of real economic cooperation, music and art is perhaps the one sphere of human activity which allows us to experience and appreciate our shared humanity and sense of purpose.  But if you are going to make a political statement like “Sun City”, don’t turn a blind eye to the consequences of your advocacy. Most of all, make sure you’re applying your criticism consistently and directing a comparable level of indignation towards the black politicians who abused their hard won political power.

Multiculturalism and the Politics of Guilt: Towards a Secular Theocracy

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Like many Americans, I grew up holding the view that America needed to evolve with respect to gender, race and gay relations in order to live up to its creed and “form a more perfect Union.”  I viewed the attainment of women’s suffrage, the ’64 Civil Rights Act, Brown v. Board of Education and the gay marriage equality movement as crucial steps towards achieving the Union that the Founders surely envisioned.

If the rhetoric of #Blacklivesmatter, LGBT activists, professional feminists and politicians is to be believed, racial and gender relations are worse than ever. Despite all that’s been achieved in the political arena, the concerns of these disparate civil rights activists have conjoined over the past several decades to fight what is seemingly an omnipresent, all-encompassing oppression. These intertwined agendas now form the foundations of what is best described as a secular fundamentalism known colloquially as Social Justice. 

Paul Gottfried’s brilliant and essential examination of modern social justice politics, Multiculturalism and the Politics of Guilt, unpacks the origins of this movement in detail. Social justice activism has transformed from an arguably principled pursuit of gender and racial egalitarianism into a toxic and repressive cult that’s deeply and inextricably linked to the democratic managerial state.  Just as Christina Hoff Sommers punctured feminism’s hot air balloon of manufactured grievances, Paul Gottfried’s book provides a sober analysis of the philosophical and legislative roots of modern identity politics. 

The classical model of state ownership of industry that defined socialism throughout the 20th century has fallen out of favor. However, this agenda has been implemented through a more sophisticated form of socialism. Building from the insights of his previous work, After Liberalism, Gottfried argues that the democratic managerial welfare state is where the contemporary socialist priesthood and their fellow social engineers have built their new temple. The welfare state is not just limited to dispensing material goods. It must administer a therapeutic form of national unity. This new secular theocracy of multiculturalism and diversity has been integrated into social services, public education, and most prominently, in higher education. It is amplified by the high priests in Hollywood films, television and mass media with a fervor that rivals the most devout religious zealots. 

He further argues that contemporary identity politics is best described as deformation of Protestant principles. Protestantism’s anti-hierarchical and anti-communitarian tendencies combined with a healthy dose of Calvinist guilt create the perfect template for a new secular theocracy. The contemporary orthodoxy posits that the past was irredeemably rife with retrogressive attitudes and oppression. Subsequently, the modern progressive who is concerned about upholding the new progressive virtue will seek to uplift groups perceived to be the brunt of systemic oppression and denigrate his own group if he’s atop the hierarchy of “privilege.”

One of the most astonishing arguments presented is Gottfried’s contention that the push to manage consciousness and behavior was the domestic policy correlate to international military intervention. The contemporary managerial state has origins in The Great Society and the shift towards affecting outcomes accompanied its implementation. In 1966, President Johnson openly declared the following:

The overriding rule which I want to affirm today is this: that our foreign policy must always be an extension of this Nation’s domestic policy. Our safest guide to what we do abroad is always take a good look at what we are doing at home.

It makes perfect sense because today’s social justice jihad, like the War on Terror, is a war without end. The only difference is that it’s a culture war which naturally splits the population into competing groups and pits them against one another. Gottfried’s analysis of the never-ending crusade to purge and suppress any symbols, ideas or speech which might inflict “harm” or be perceived as “discriminatory” is devastatingly accurate.  The administrators of the managerial state have managed to succeed in producing an outcome that masks its coercive nature and goes beyond what legislation alone could have achieved. Through the steady drip of therapeutic propaganda, the engineers of the managerial state have bred a generation of cultural revolutionaries who place a higher value on the perceived virtues of multiculturalism than American principles of classical liberalism or constitutionalism.  The government doesn’t need to impose mandates from on high. The ambassadors of multiculturalism have bred a generation which gives total and unquestioned fealty to the perceived virtues of “diversity”. This deference is accompanied by an abject worship of authority that is perhaps unsurpassed in American history. Contemporary champions of social justice are waging their own homegrown Proletarian Cultural Revolution and the State is just waiting for the opportunity to deliver the repressions they so deeply crave. 

Another key feature of the social justice/multicultural Left highlighted by Gottfried is its battle against what it perceives as “antifascism.”  While politicians make denunciations of easy targets like Jörg Haider who express Nazi sympathies, social justice warriors denounce those who express unpopular or what are perceived to be “bigoted” sentiments. This paranoia is justified in the minds of social justice Left in order to forestall what they perceive to be the omnipresent threat of a slide into a new Third Reich. Following the pattern set by Johnson in Vietnam, this feature of social justice activism also has a military analogue. Even when American politicians carry out military action against someone with Marxist-Leninist beliefs like Slobodan Milošević or Islamic dictators like Saddam Hussein, these tyrants get tarred as “Right Wing” dictators. This partisan demagoguery gives American politicians a free pass to pursue whatever military action they please. The “antifascist” Left has reached an absurd crescendo with the advent of the Trump campaign. Despite having a platform that’s an incoherent hodgepodge of positions drawn from the Right and Left, the charges of “fascism” increase in tempo and volume. The opposition he receives from neocons, party apparatchiks and military leaders alike doesn’t seem to register either. Trump’s rhetoric and identification with the GOP all by themselves are sufficient grounds upon which to tar him with the “fascist” label. Legions of progressives are denouncing him as the second coming of Mussolini and Hitler combined. 

Gottfried further argues that the other aspect of the “antifascist” multicultural Left is the crusade against perceived xenophobia.  While governments pursue an agenda of unchecked militarism abroad, refugees of war torn countries seek asylum in the West. Politicians are all too happy to accommodate in the name of “diversity.” When a segment of Americans and Europeans oppose the efforts, the multicultural Left predictably denounces opponents of immigration as “racist” and “xenophobic.” Though most people in the West are sympathetic to immigrants who are seeking to improve their station in life, pointing out the potential problems in any way is evidence of “xenophobia” and “racism.” Despite the recent unprecedented tragedy of several hundred women being assaulted in Cologne on a single evening, all criticism or skepticism of immigration must be purged from discussion.  The effects of low skills and education or sharp cultural differences between those raised in Islamic countries under Sharia Law are not taken into account.  Subsequently, a rational debate about immigration cannot take place. The predictable result is an ever escalating set of tensions with opponents of immigration predictably branded as racist. This schism has only become more pronounced with the ascendancy of the Trump candidacy. 

The role of social science in shaping the prevailing consensus around multiculturalism cannot be gainsaid.  Building from the foundations laid by the likes of John Dewey and Herbert Croly, the modern social scientists “proclaim a postreligious science and equate the promotion of the social good with acts of will.”  These doctrines of groupthink and collectivism which assign higher virtue to social construction of personal identity have been championed by feminists and social engineers who seek nothing less than to recode human nature. One need only look at the state of affairs on college campuses throughout America and Europe to see the poison fruits of this ill conceived social experiment. 

The only piece of the multicultural, social justice Left which Gottfried omits is climate change activism.  Intersectional social justice, feminism and climate change activism comprise a trifecta of modern progressive virtue.  Together, these three articles of faith form a seamless fabric of modern day statist piety. 

As the chants of the social justice, multicultural Left grow louder, the retribution meted out by self-appointed social justice cops becomes more damaging.  Government officials have ratcheted up their own efforts in response to this ever escalating demand to silence “hate speech”.  The charges are increasingly petty and the sanctions are increasingly punitive. The need for measured, philosophical opposition grows in proportion.  With this book, Paul Gottfried has identified an ideological toxin whose effects are everywhere, but whose origins are unacknowledged or unseen. 

Multicultural social justice politics have achieved dominance throughout the cultural landscape. Academia, mass media entertainment have long been occupied by the multicultural intelligentsia and they’re currently making inroads into public schools and the military. The virtues of Diversity, Inclusion and Feminism are openly and routinely extolled by politicians, entertainers and academics. Cornel West and Ta-Nahisi Coates have made cottage industries of proclaiming the dire state of race relations in America. Canadian Prime Minister Justin Trudeau preaches the gospel of feminism to the UN. Hillary Clinton proclaims her feminist credentials to a giddy Lena Dunham. The 2016 Oscars were a cringe inducing paean to Hollywood’s “diversity crisis.” Chimamanda Ngozi Adichie’s Ted Talk is mandatory reading in Sweden. On and on.

It’s imminently clear which people are invested in promoting the Gospel of the Church of Multiculturalism. Fortunately, many now recognize it for what it is: a decades-long advanced propaganda campaign designed to debilitate the individual, destabilize family and hereditary culture, and assign virtue to victimhood. Above all, it’s an elitist, intellectual grift for rent seeking blowhards who want nothing more than to inculcate total deference to state authority, expand their own cults of personality and enlarge their academic fiefdoms. This book is an essential read for those who still prioritize liberty and self-determination over the megalomania of academics, social justice warriors, politicians and so-called social scientists.

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