Category Archives: Frankfurt School

Clown World Woke Revisionism: John Legend and Kelly Clarkson play Donnie and Marie for Cancel Culture

Back in the day, all the cool kids were unanimous in their opposition to puritanical scolds of the time, the PMRC. For those who didn’t live through it or simply don’t recall, the Parents Music Resource Center was a committee comprised predominantly of the wives of Washington elites who were Deeply Troubled by the lack of content warnings on major recordings. In short, they wanted a warning label on pop and rock records which contained racy lyrical content so they could theoretically police their kids’ purchases. Needless to say, the PMRC created a shitstorm of controversy, and the ensuing schism predictably arrayed public sentiment into two camps. The forces of secular liberal rock n’ roll freedom were set against the forces of stodgy, repressive secular conservatism. The PMRC’s crowning achievement was a televised Senate hearing in 1985 which ultimately ushered in the era of the Parental Advisory sticker warning on albums.

Despite the industry concession, the hearing produced three of the most memorable and pugilistic anti-censorship speeches ever delivered by modern musicians. Not the least of which was Frank Zappa’s combative diatribe. Who didn’t relish hearing Frank Zappa dish out such well deserved scorn and contempt on this self-appointed group of busybodies?

The PMRC got their warning sticker, but the entire crusade seemed like a pyrrhic victory. All it did was incentivize rockers to make records that would earn them the sticker. The Parental Advisory became a new badge of honor for the edgy rocker or rapper. What kid didn’t want to buy the album with the Parental Advisory warning? Musicians boasted about its instant appeal. At the end of the day, the PMRC seemed like an orchestrated stunt which ultimately emboldened and sanctified the rebellious rocker who gleefully held his middle finger aloft in permanent defiance of all would-be establishment moral authority. “Fuck off, prudes” was rock n’ roll’s permanent answer to any pleas for restraint from morality cops.

However, I believe the PMRC was a harbinger of a far more pernicious trend that has achieved its ultimate and inevitable conclusion in what has now been deemed Cancel Culture. The abiding lesson that the social engineer class likely recognized (planned?) from this exercise is that top down enforcement of morality doesn’t work. Subsequently, the various gatekeepers of cultural consensus who inhabit the academic, media and entertainment spheres have cleverly smuggled a tightly knit package of woke pieties into the public consciousness through a multigenerational indoctrination campaign that is now reaping its harvest. If you can succeed at encapsulating vast social evils into omnipresent yet infinitely subjective terms like “patriarchy”, “toxic masculinity” or “rape culture”, people won’t just accept censorship. They’ll actively police content for signs of transgression and demand it. It’s the type of Pavlovian style psychological conditioning that Aldous Huxley portrayed in vivid detail in Brave New World.

All of which brings me to John Legend and Kelly Clarkson’s abominable turd of a remake of “Baby, It’s Cold Outside”. To anyone who’s attuned to methods of the Missionaries of Wokegnosis, this is a sad inevitability. Any time you see a steady drip of woke thinkpieces in the media or gender studies papers bitching about something being “problematic” on one or more grounds of woke sin, you can predict with absolute and ironclad certainty that this particular piece of pop culture has been slated for demolition.

The ways that this remake is a pointless, hypocritical and destructive affront to a wonderful song are manifold, but the most egregious of which is the sanctimonious aura of moral authority that is implied by its very existence. The entire realm of rock and pop has maintained a posture of unrepentant hedonism and decadence since Elvis gyrated his hips on Ed Sullivan. “Fuck off, prudes” and “Don’t be rapey, you misogynistic bigot” are mutually exclusive positions. You can’t have it both ways, assholes.

Are they taking aim at Cardi b’s “Stripper Hoe” or Ariana Grande’s “Side to Side”? Of course not. Instead, they create a shitty revision of a beloved song just to virtue signal and score a few cheap #MeToo points from blue checkmarks on Twitter. Why? Because it’s easy. They can point the finger at The Past and tear down the achievements of others for failing to pass the fake moral purity test of the hashtag warriors.

The worldview which gave rise to this posture of pious censoriousness is straight out of the Herbert Marcuse School of Repressive Intolerance. It thrives on a presumption of an irreconcilable Left/Right dialectic in which all forms of convention or tradition which can be even loosely attributed to the Judeo-Christian worldview are forms of false consciousness which must be summarily torn down and remade in a progressive mold. Sadly, this is why the Missionaries of Wokegnosis cannot actually create anything of lasting value let alone anything people really want to consume. All they can do is infiltrate the legacy of works created by others and tear them down by imposing their idiotic and misguided ideology. These people simply cannot create original works that stand on their own merits. They can only desecrate the works of minds far superior to their own.

In retrospect, the PMRC seemed far more honorable than the woke revisionists of today because at least they were reasonably consistent about which songs they believed contained morally questionable or reprehensible content.

The same cannot be said about the phony #WOKE posturing of John Legend and Kelly Clarkson in their pointless and wretched revision of “Baby It’s Cold Outside”. In an utterly shameless grab for virtue points from their online echo chamber, the song is nothing but a cavalcade of the same dumb clichés and platitudes that already permeate the culture. It’s bad enough that a company which manufactures shaving products for men has to push this toxic gruel into the public square, but it’s even worse that the simple pleasures that everyone could once enjoy during Christmas have to get a woke makeover.

This is ultimately what makes John Legend and Kelly Clarkson’s transformation into the Donnie and Marie of Cancel Culture just another contemptible manifestation of America’s descent into Clown World. The most decadent and compromised people on earth are dispensing moral lectures by ruining Christmas songs. Men and women can’t be flirtatious and fall in love anymore. Courtship and chivalry don’t exist. Subsequently, the ultimate virtue is for the man to treat women like radioactive material while encouraging her to #shoutyourabortion and be a “self-partnered” wine aunt. The sheer cynicism and hubris is what makes this truly detestable. It is designed to be the turd in the Christmas punchbowl. They knew it would spark a backlash and they’ll respond with some other predictably idiotic cliche about how they’re “just trying to start a conversation” or “raise awareness”. We’re not buying it, assholes. Do us all a favor and cancel your shitty and unnecessary remake.

Herbert Marcuse: Repressive Tolerance

If you’re paying any attention to the state of free speech on college campuses, you wouldn’t be unreasonable to conclude that this time honored, liberal principle is under siege.  But how did college campuses, the very institutions charged with upholding the principles of Western thought, become incubation chambers of intolerance?  Whose ideas have supplanted the propositions which have driven progress of Western civilization since the Protestant Reformation and taken root in the minds of students and faculty alike?   I contend that the current repression of free speech, embodied by the progressive social justice warrior, which conveniently silences conservative and libertarian views can certainly be traced in part or in whole to the influence of Herbert Marcuse.

German émigré, founder of the Frankfurt School of social science and former employee of the Office of Strategic Services and Office of War Information, Herbert Marcuse espoused a heady brand of warmed over Marxist socio-economic criticism whose influence reverberates to this day. The fact that he worked in the US federal government in an office which disseminated war propaganda and was sympathetic to Marxist thought yet is revered as the father of the allegedly dissident New Left movement is revealing all by itself.  Marcuse published several works, but his essay, Repressive Tolerance, which was originally featured in A Critique of Pure Tolerance opens a very clear window of insight into the mentality and behavior of campus faculty and students alike.

Marcuse starts with a classically Marxist thesis.  The traditional liberal premise of equality of liberty and equality before the law only serves to prop up a bourgeois false consciousness and perpetuate a “tolerance” of oppressive forces which perpetuate injustice and inequality.  Consequently, the attainment of objective truth is compromised because the bourgeois media desensitizes the proles to the inhumanity and injustice which surrounds him.

The toleration of the systematic moronization of children and adults alike by publicity and propaganda, the release of destructiveness in aggressive driving, the recruitment for and training of special forces, the impotent and benevolent tolerance toward outright deception in merchandizing, waste, and planned obsolescence are not distortions and aberrations, they are the essence of a system which fosters tolerance as a means for perpetuating the struggle for existence and suppressing the alternatives. The authorities in education, morals, and psychology are vociferous against the increase in juvenile delinquency; they are less vociferous against the proud presentation, in word and deed and pictures, of ever more powerful missiles, rockets, bombs–the mature delinquency of a whole civilization.

Through the reasoning of his convoluted Hegelian dialectic, he concludes that the only way to redress this systematic injustice is to actively suppress the political thought and speech of those on the Right.  Because after all, the Right not only represents the interests of the ruling, empowered class, but is the incubation chamber of every repressive regime since the emergence of the democratic nation state. All revolutionary change, has emerged “from below” (i.e. the proles). Since the repressive capitalist class is on the Right, and the champions of social justice and revolutionary change are on the Left, the best way to ensure that a true reign of justice prevails is to silence the voices of the Right and actively promote the voices of the Left.

Liberating tolerance, then, would mean intolerance against movements from the Right and toleration of movements from the Left. As to the scope of this tolerance and intolerance: … it would extend to the stage of action as well as of discussion and propaganda, of deed as well as of word.

Sound familiar? Not only is it a repurposing of the classic Marxist dichotomy of proles versus bourgeoisie, it maps to the observable behavior of social justice warriors on campuses throughout the Western world. This basic template of thought also translates into virtually all intersectional feminist/queer/race theory that is the bedrock of the entire plague of social justice advocacy poisoning campuses and media throughout the world.

I don’t know how much the work of Marcuse and his Frankfurt School contemporaries is actually taught in campuses, but I suspect that it has receded into the background as more contemporary “thinkers” have taken his place. “Repressive Tolerance” taken its proper place as a product his former employers at the OSS would have appreciated: propaganda for the Left.