Category Archives: Europe

National Treasure and The Masonic States of America

I was dismissive of Disney’s National Treasure when it was released in 2004. It seemed like a more sedate remix of The Da Vinci Code for a Disney audience, and neither the premise nor Nic Cage’s cinematic charms were enough to make me care. Art hits you in different ways at different times in your life, and I doubt I would have been attuned to the significance of National Treasure’s subtext at that time. Time passes and perspectives change. National Treasure is exactly what I sensed it would be and succeeds as a light espionage/action mystery thriller. But there’s a lot going at the symbolic level that’s very explicit and warrants a deeper examination. Because this was a Disney production aimed at a young audience, I suggest this movie’s pro-Freemasonry message is kind of a big deal from a cultural programming perspective.

I’ve been paying more attention to the architecture of morality and the ways in which it interacts with the belief apparatus. This has led me to examine the sturdiness of the underpinnings of the Enlightenment and American republicanism. Despite being largely perceived as a turn towards secularism and scientism, one of the hidden hands behind these revolutions is in fact an occulted spirituality of another kind: Freemasonry. Though “occult” broadly refers to esoteric spirituality of every kind, it also means “hidden”, and in the case of Freemasonry, it is certainly applicable. The fact that this film is linking Freemasonry to America’s foundations is intentional and borne out by history. While there’s certainly dramatic license taken in the details, the underlying truths are noteworthy all by themselves.

National Treasure is basically a variation on Raiders of the Lost Ark with overt references to Freemasonry instead of encrypted ones. As Benjamin Gates, Nic Cage is a adventurer/historian who’s dedicated his life to unraveling a mystery that was revealed to him by his Mason grandfather, John Adams Gates. As the elder patriarch, Christopher Plummer spins a fantastic tale of the Knights Templar and the untold riches they kept hidden from the Muslims and the British. The Knights managed to conceal the treasure in America, but the map is encoded in disparate objects and letters that are only decrypted by initiates of Masonic mysteries. Fast forward to the present, and Ben Gates’s quest has taken him to the arctic regions of the globe to unravel the mysterious message he uncovered that fateful day. Once the object is discovered, it unlocks another clue which points them towards a hidden map on the back of the Declaration of Independence. Sean Bean’s Ian Howe gets greedy and the race to acquire the Declaration is on. Accompanied by trusty sidekick, Riley Poole and sexy museum curator, Abigail Chase, our heroes scramble to outsmart the dastardly Howe and his goons.

While the conspiracy community is awash in theories over hidden Masonic messaging in entertainment and the Illuminati conspiracy it conceals, National Treasure is one film that isn’t hiding its symbols or their connections to Masonry. They’re front and center. The controversy is whether these symbols are benign or malevolent, and the conclusion you reach will depend completely on your moral, ideological and spiritual frame of reference. National Treasure clearly wants you to see them as benign. Not only that, it wants you to equate Freemasonry with the Founding Fathers and American values themselves. This isn’t far off the mark, either.

American republicanism is seen as the fulfillment of the Enlightenment consensus enshrined in the formation of a new nation. For the first time in history, religious morality was mostly decoupled from the state, and compulsory religious practice was expunged from the law. Religious pluralism, secular reason, the scientific outlook, radical egalitarianism and democratic cosmopolitanism would be canonized as the gods of a new civic religion. This collection of presuppositions formed the basis of what we now simply identify as the pillars of classical liberalism. Depending on your point of view, it’s a set of ideas you want to see conserved for posterity, consumed in a brand new revolutionary conflagration or rejected as a Gnostic heresy.

How does Freemasonry have anything to do with classical liberalism?

While I recognize this isn’t a popular thesis amongst the woke intelligentsia, I’m inclined to believe that the Enlightenment, the French Revolution and the underlying ideals of American republicanism are Masonic in nature. Freemasonry doesn’t officially call itself a religion but it asks its initiates to accept the existence of a Supreme Being. Not unlike the deism for which Thomas Paine advocated in The Age of Reason. A single, infinitely mysterious, divine monad which unites all religions, creeds and races and can never be fully understood by the human mind. Though his status as a Mason is unconfirmed, older editions of Paine’s Age of Reason even featured an essay on the origins of Freemasonry. Most people don’t self-identify as deists or take the same view towards spirituality that Paine did, but his worldview prevailed. The deistic universalism for which he advocated can now be found in the Christian ecumenical movement, New Age spirituality, Buddhist hipsters, and the various manifestations of UN-affiliated, syncretistic Blavatsky lite which also includes Freemasonry. This spiritual mindset came bundled with all of the presuppositions that accompany classical liberalism. Paine’s deism was repackaged and continues to be sold as a perpetually revolutionary set of American ideals with new labels like “liberty”, “democracy”, “equality” and perhaps most importantly, #TOLERANCE . These lofty ideals mask the Promethean promise of a very seductive spiritual truth: apotheosis of the individual.

The fact that these words occlude their Masonic origins is consistent with its nature as as a secret society and a “peculiar system of morality, veiled in allegory and illustrated by symbols”. Throughout the film, Ben Gates has to decode various ciphers, messages, and hidden cryptograms. While this makes for lots of intrigue for the viewers, this is a bit of revelation of the method. Masonic symbols are hidden in plain sight and embedded in every corner of the culture, but invisible to the profane masses due to their ubiquity. Whether they’re used in corporate logos, rock band album art, or the infamous All Seeing Eye that adorns our Federal Reserve Notes, these symbols are imbued with meaning and work at the subconscious level.

Because humans are wired for belief, the question merely becomes one of the awareness of the belief mechanism and the direction in which its pointed. If you are atheist, agnostic, an occultist or subscribe to any non-Orthodox Christian or Islamic faith, the mysticism of Freemasonry is probably no big deal. From an Orthodox Christian or traditional Catholic perspective, this is probably seen as another example of pop culture trafficking a Luciferian doctrine packaged as family entertainment. Freemasonry, or Gnosticism, was challenged as heresy first by Saint Irenaeus and much later by Pope Leo XIII.

However, herein lies the film’s and Freemasonry’s great sleight of hand. Conservatives proclaim the belief that America was a Christian nation while progressives generally claim that it is secular and pluralistic society in which American propositions supersede proper religion. I suggest that the progressives are fundamentally correct. Conservatives may grouse about the erasure of quasi-Christian norms and traditions in the public square, but the ideals of American republicanism were departures from traditional Christian theology in the first place. The Christianity that took root in the early colonies was mostly Puritanism which in turn gave rise to increasingly atomized denominations. Add in Roman Catholics, Baptists, Unitarian Universalists, atheists and a dozen different versions of Protestantism and the idea of a unified Christian body politic becomes an increasingly untenable proposition. Subsequently, progressives are constantly able to capitalize on a fractured conservative constituency by painting themselves as the pious majority and their opponents as callow hypocrites. Perhaps America’s true national religion is the Cult of the Individual smuggled into the psyche through veiled Masonic euphemisms and symbols. Perhaps Freemasonry’s great triumph was that it swapped out religious orthodoxy in favor of a doctrine of radical individualism divorced from ethnicity, history or an abiding national identity. 231 years after the ratification of the Constitution, Disney decides the time is ripe to canonize Freemasonry with a family friendly action movie which blurs reality and fiction sufficiently well that the public likely remains anesthetized to the possibility that they’re unwitting vessels for a spiritual worldview that goes unquestioned.

Most people would shrug this off under the presumption that there’s nothing to question in classical liberalism. It gave birth to America, so what’s the problem? That’s a reasonable question, but I’m dubious on where the classical liberal framework is leading us. While those who claim a stake in the so called “intellectual dark web” are attempting to tend the breached walls of classical liberalism in order to forestall the continued advance of neo-Marxist identity politics, the #EQUALITY goalposts move further and further into the Twilight Zone of pure insanity. Classical liberalism has begotten postmodern identity politics. Classical liberalism has created a marketplace for Marxist academics, feminist hacks, despotic technocrats, racial demagogues and globalist sociopaths like George Soros who engineer social unrest, capitalize on the chaos, and then fund the fifth column organizations who work to unravel society even further. It’s the freedom to accept a marketplace for depravity, degeneracy and perpetual revolution. It’s the freedom to be mocked and demonized for even suggesting that there are traditions that are worth conserving. Progressives like to see themselves as uniquely empathetic and attuned to the suffering of the underdog, but somehow, this empathy can only be realized through neverending political protest, language policing, and exerting absolute dominion over the cultural dialogue. The subsequent result of this worldview has been an atomized population, moral relativism, postmodern subjectivism, and the radical quantification, automation and commodification of life itself. We’re at a point where the simple desire to marry someone of your own race is considered a shudder inducing rallying cry of “white supremacy”.

Paul Revere. Grand Master Freemason.

By the film’s conclusion, Gates uncovers an enormous treasure of what appears to be Egyptian artifacts and relics. The film ties Freemasonry back to its pagan and polytheistic Egyptian roots. Since these artifacts were of incalculable value to civilization, both Gates and the Freemasons come out looking like heroes and stewards of ancient mysteries that would have been destroyed in different hands. Regardless of how much dramatic license is taken in the details, the mere fact that our very first president, George Washington, was himself a Freemason lends weight to the myth. America’s list of known Freemasons who’ve occupied the Oval Office, worked in powerful federal agencies or scaled the heights of pop culture success lends even more gravitas to the claim of Freemasonry’s widespread influence in American life and thought. When Harvey Keitel’s Agent Sadusky flashes his Masonic ring, we are to understand that the Brotherhood extends to the highest echelons of power throughout the nation to this day. Naturally, Gates is exonerated from criminal charges because his higher service to mankind is recognized by the Brotherhood. Besides, laws are only for the peasants anyway.

Ben Franklin. Freemason.

As is often the case with Hollywood films, the fictitious veneer often masks a reality. The film propelled the heroes through the National Archives, Independence Hall and culminated in a church in lower Manhattan. Gates had to uncover secrets from historical documents and objects hidden within the buildings. Three years ago, when the Massachusetts State House politicians hosted a ceremony to unearth the time capsule buried by Paul Revere 220 years ago, the Freemasons were the ones who were entrusted with the task. Just like the film, the contents were passed to the Museum of Fine Arts staff. Not exactly a roomful of Egyptian artifacts and relics, but of significant historical value nonetheless.

In a manner that was very similar to the film, Freemasons are present at the unearthing of a significant piece of American history and their connection to our national heritage is cemented into to minds of the public. Freemasons are woven into the fabric of American leadership, history and ideas in ways that, prior to this film, go mostly unrecognized. On the surface, it seems pretty benign and even downright noble. That’s certainly what Disney wants you to think. But Disney is in business of manufacturing symbols that create new realities. You could say it’s a kind of magic. They say Disney is “the most magical place on earth.” Something tells me their fascination with magic makes them natural allies with Freemasonry. I’m just not sure it’s as benign as they want you to think.

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Thomas Paine: The Age of Reason

The period of European history known as The Enlightenment was the period in which many of the hallowed values that define classical liberalism were canonized. Among these values were constitutionalism, freedom of speech, and most importantly, separation of church and state. Thomas Paine remains one of the most celebrated exponents of liberal thought. Capping off a trifecta of canonical liberal texts which included Common Sense and Rights of Man, The Age of Reason represents Paine’s defense of freedom of conscience in matters of faith. More specifically, this book is a rejection of religious institutions and an attack on the historicity of the Bible, divine revelation and miracles. Paine is explicit about his belief in God and is affirming deism, but the arguments he sets forth are scarcely different from those we hear from contemporary religious skeptics. It is, in effect, a work of proto-atheism. It’s a very short hop from Paine’s presumed skepticism and mind numbing pedantry to Dawkins and Hitchens.

Published in three parts in 1794, 1795 and 1807, The Age of Reason rattled a few cages due to the perceived proximity to French Jacobinism. Like Voltaire, Paine’s writing was a sort of intellectual punk rock of its day. Despite this reputation for being a work of heresy, it is an exceedingly tedious and tendentious treatise. The Age of Reason, both the book and the broader Enlightenment consensus are perhaps slightly overrated. Common Sense might have helped build a consensus for the American Revolution, but Paine wasn’t necessarily held in high esteem by some of the Founders. This book opens a window of insight on why this might be so. The elevation of reason as the principle method by which we obtain knowledge and derive universal principles has arguably laid a foundation for moral relativism and a purely materialistic view of the world.

I am willing you should call this the Age of Frivolity as you do, and would not object if you had named it the Age of Folly, Vice, Frenzy, Brutality, Daemons, Buonaparte, Tom Paine, or the Age of the Burning Brand from the Bottomless Pit, or anything but the Age of Reason. I know not whether any man in the world has had more influence on its inhabitants or affairs for the last thirty years than Thomas Paine. There can be no severer satyr on the age. For such a mongrel between pig and puppy, begotten by a wild boar on a bitch wolf, never before in any age of the world was suffered by the poltroonery of mankind, to run through such a career of mischief. Call it then the Age of Paine. – John Adams on Thomas Paine

Perhaps more significantly, it also appears to be a stepping stone on the pathway to scientism. He openly asserts that the study of natural philosophy, mathematics and mechanical science is the “true theology”. This conflation of moral virtue with the pursuit of scientific discovery is essentially an article of faith for progressives and atheists alike. The laws of the natural world are discovered. How the human mind chooses to apply these discoveries is up for grabs. This pursuit may be moral and ethical, but it may be completely malevolent. The methods by which data is gathered may be ethical or they may be cherry picked in order to confirm a bias or a preconceived conclusion. Whether it’s the first time such criticisms and claims have been committed to print I cannot say, but The Age of Reason cements a perception of antagonism between science and faith that persists to this day.

The first section is essentially the entire blueprint for modern atheism with one key difference: Paine actually believes in God. This difference is crucial, but every criticism he levels at Christian belief can be found in the rhetorical bedrock of every modern atheist and agnostic from Harris to Tyson. His contention is that the biblical teachings of belief in miracles, resurrection, the Holy Trinity and young earth creationism have engendered an antipathy towards science and paved a path for superstition over reason. He claims that this proliferation of superstitious belief has bred an open hostility to scientific advancement; a claim which is not borne out by recent polling of the scientific community. The absence of any specific examples does not lend credibility to the claim, but this omission didn’t seem to prevent the perception from spreading.

But this, the supporters or partizans of the Christian system, as if dreading the result, incessantly opposed, and not only rejected the sciences, but persecuted the professors.

In the subsequent section, Paine proceeds to dissect the first six books of the Old Testament in painstaking detail. He lays out a trove of information which he claims falsifies the historicity of the books. It’s rather tedious stuff. When he finally gets to discussing his fondness for the Book of Job, it becomes apparent that perhaps his interpretation of the remaining texts is uncharitable and narrow. He explains why it is a text he holds in high esteem because of the lessons it imparts on human suffering and the striving towards contentment. More importantly, he is perhaps missing the fact that the Bible is not necessarily designed to impart historical knowledge, but that it represents hundreds of years of mankind striving to rise above its animal nature and reach for some ideal of divine perfection.

The one argument that sets this book apart from atheist orthodoxy is Paine’s unequivocal belief in the connection between deistic faith and the objective existence of moral truth. This also appears to be a point of agreement between Kant and Paine since Kant argued that you needed an a priori cognitive structure through which to process sense data.

In the final section, he takes a sledgehammer to the New Testament by claiming that “Christianity only produces atheists and fanatics”, but history has proven this contention false. Worst of all, his view of the French Revolution seems deeply ahistorical. He contends that the intolerance of the Church had transferred into the realm of politics which is the exact opposite of reality. It was, in fact, secular fanaticism which culminated in the establishment of a violent, state sponsored secular religion known as the Cult of Reason. The magnitude of Jacobin violence meted out to the Church and the Christian faith during The Reign of Terror is staggering.

Paine’s criticisms sound scarcely different from the generic attacks on “religion” that one would find on an atheist meme or a Bill Maher rant. Ironically, Paine considers the New Testament itself as a work of atheism. I’m not sure how much value the Bible has for the individual reading it in order to find historical or chronological error and contradiction. The Bible was apparently written over a span of approximately 1500 years. The individuals who wrote the scriptures and the process of collecting these works is indeed a subject worthy of scrutiny. However, I suggest that these concerns are secondary to the larger significance to human moral psychology. If one were to take a charitable view, the Bible could be viewed as a collection of works which reveals man striving for metaphysical transcendence. They are designed to reveal man struggling to articulate things beyond what his mind can know or obtain solely through the accumulation of sense data. It is meant to form the bedrock through which knowledge is assimilated so that the works of man would express the divine ideal. Paine’s exercise feels like a wrong turn.

While I can certainly appreciate that this work was transgressive in its day and probably helped pave the way for a multiplicity of views on faith both benign and malevolent, I’m strongly inclined to think that perhaps it planted the seed of destruction for Reason itself. The human capacity for reason and the discipline of logic are high level functions of the human mind. These abilities are cultivated and are certainly not evenly distributed throughout the population. The human capacity for morality, which is itself a form of faith, supersedes any concern for logic or reason. When it comes to perceptions of moral imperatives, reason is often utterly ineffectual as a mode of persuasion. The compulsion to confirm existing biases and affirm tribal alliances nullifies the possibility of reasoned debate or analysis. Moreover, the progressive Left has essentially hijacked scientific reasoning and used it as a substitute for ideological moralizing in a manner similar to Paine, but less explicit. Humanity is clearly wired for faith of some kind. If this capacity isn’t funneled into some kind of theism or, at minimum, belief in transcendent moral absolutes, it tends to be transferred to the secular equivalent of Ultimate Authority: the State. To what extent does the capacity for reason even enter the dialogue when morality has been ceded to the secular priesthood? As current events attest, not much, if at all.

The Age of Reason offers very little that’s meaningful or relevant to the world today. The distinctions between science and morality have been steamrolled and the floodgates of atheism have been opened since its publication. I’d argue there’s nothing in the Christian faith or the Bible that hasn’t been picked apart a thousand times. The Christian faith has already endured every criticism that can be made, and it still ended up producing the freest and most prosperous societies on earth. So free in fact, that the tools of Reason have been deployed to undermine the theological foundations of the West just as Nietzsche feared. The battle for Western civilization in which we’re currently engaged has precipitated a reappraisal and reaffirmation of the ideas at its core. Paine was correct to assert the existence of moral truth, but his dismissal of the broader metaphysical significance of scripture was perhaps a bit cavalier and hubristic. If any faith could use some more of Thomas Paine’s questioning spirit in 2017, it’s Islam.

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