Gemini Man (2019)

Deep state assassin plays surrogate father for his deep fake GMO clone who’s trying to ruin his retirement.

I always feel a little bit dirty for being taken in by a film like this because you know that’s when its psychological toxins are taking root. Like Doctor Sleep, Gemini Man exceeded my minimal expectations. It is another piece of deep state chic about a super soldier assassin who is being targeted by his genetically engineered clone. The main gimmick here being the seamless integration of CGI effects on the Will Smith double.

When Henry and Junior finally meet, there is some genuinely compelling psychodrama as Henry tries to appeal to his conscience and his capacity for free will. It’s subject matter that has plenty of precedent in sci-fi, but it’s capably handled here. I was almost encouraged when Henry tries to dissuade Junior from pursuing the deep state assassin life and raise a family. But alas, I was let down in the final confrontation with Clay Verris, the bad surrogate father who raised Junior from the time he was just a test tube specimen.

Verris wanted to create an even better version of Henry. A soldier with all of his killer acumen and none of his defects, vulnerabilities, fears or doubts. This required filling the deficits of Henry’s single mother upbringing and being the father he never had. That means showing him…get this….love and affection. Scandalous. I think you can imagine what happens to Verris. I suppose it’s a form of cosmic justice since it wasn’t true, unconditional paternal love, but from a symbolism perspective, it’s another swing of the wrecking ball against the edifice of fatherhood.

Ramona Flowers turns in a likeable performance as another nu school archetype of feminine Wokegnosis. Academic smarts, combat capabilities, yet desexualized and semi-maternal all at once. All the checkboxes are filled out, but there’s just enough real humanity and vulnerability to make her engaging. Together, she and Henry form the kind of quasi-alchemical, artificial parenthood that the establishment hopes to normalize.

I’ve said it before, but it bears repeating. Every Hollywood film is a clever mixture of art and propaganda. Gemini Man is noteworthy because it is further proof that Hollywood is specifically propaganda for military black operations, espionage, mass surveillance and media, eugenics, artificial intelligence, and all manners of superweapons. It’s a big deal because the MSM narrative insists that the idea of a “deep state” is just a conservatard talking point. From a Hollywood perspective, it is normative to see portraits of espionage and black operations as heroic. Yet, they’re also telling you that these forces are the very first boots on the ground in any unstable region of the world deposing leaders, fomenting dissent and training death squads.

Not only does Gemini Man want you to believe that the black ops assassin is a great guy who is just doing his patriotic duty, it wants you to believe that he’s the guy who’s going to thwart the plans of people like Verris who take things a little too far. When Henry and his pals raise a glass, they toast to “the next war which is no war.” Don’t you want to believe it?

The film was shot at 60 fps as opposed to 24. While this was probably sold as a cutting edge effect, it is also probably includes the latest piece of hypnosis tech. This is also probably the test film for a new generation of deep fake technology. May God have mercy on our souls.

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