If you garnered any enjoyment from the first Independence Day or if you’re in the mood for a state of the art alien invasion film with some really enjoyable performances, you could do a lot worse than Resurgence. The film succeeds because it gives you exactly what it promises: a band of heroes who join together to save human civilization from another extraterrestrial threat of extermination. Of course, the threat is twice as bad as before.
The story picks up 20 years after the events of the first film and rejoins us with most of the original characters. Several young characters are added to the mix in order to fill the void left by the absence of Will Smith. All of the countries have banded together to rebuild civilization after being nearly vaporized by aliens the first time around. Thanks to harvested alien technology, the United States have built a global super state with a futuristic, alien-grade military defense apparatus that extends from the earth to the moon.
This film has been described in various reviews as an appeal to nationalism and patriotism, but it’s more than that. It’s really War of the Worlds repurposed as a multicultural, globalist fantasy and a Keynesian wet dream. This film is yet another variation on the gleaming, futuristic, techno-utopia fantasy that can be achieved through abject servitude to the State and by building a culture of cradle to grave militarism. The previous alien invasion may have nearly wiped out civilization, but it provided the ultimate opportunity to enact the biggest economic stimulus ever! It’s quite literally Paul Krugman’s prescription for economic prosperity writ large.
Familial bonds are largely non-existent for the younger characters, but when they are introduced, they exist mostly within the hierarchy of the State. Vivica Fox returns as Jasmine Hiller who is both mother of Jessie Usher’s Dylan Hiller and some kind of high ranking government official. She lasts long enough to convey maternal pride in her top gun military progeny and die a tragic death amidst the alien devastation.
The technology is so advanced, that one can only imagine that the Platonist social engineers were finally given free reign to build a society of super soldiers whose only devotion is to the State. Naturally, it’s a multicultural paradise with total gender equality. Every race and culture gets along harmoniously, the women are every bit as capable as the men in every pursuit, and when the chips are down, humanity joins hands to fend off extinction one more time. Even the African communist militants seem like really cool guys.
But enough of all this analysis. What about the UFOs and worldwide demolition? Independence Day made its mark by giving us massive alien ships with devastating weapons, and just as one would hope, Resurgence doubles down on the massiveness. The film wants to overwhelm you with its scale, and it more than delivers. The alien mothership is so big, it plants itself on the surface of the earth like a giant hubcap.
When it comes to defeating the aliens, the film settles for yet another variation on what has become a completely shopworn cliché: destroy the leader and the minions lose their agency. Sadly, the human alliance doesn’t differ from the aliens in this respect. All of the forces rally and are emboldened to fight upon hearing President Whitmore’s grizzled but rousing call to arms.
Though I doubt it was the filmmakers’ intention, I propose that this film was also a stealth commentary on modern feminism. Everyone will undoubtedly find it so empowering and progressive that Sela Ward plays the current president and gives the command to initiate the attack on the alien vessel, but that’s a side show. The alien civilization is essentially a matriarchy that resembles a highly advanced insect colony with a queen who controls and directs the worker soldiers. Once the queen is killed, all the subordinate aliens lose their will to fight. If an advanced civilization capable of enormous and highly coordinated feats of starship construction, weapons systems development, and intergalactic invasion and occupation is ruled by a woman and all of the subordinate workers are so emasculated that they’re forced to dedicate the entirety of their existence to a never-ending pursuit of intergalactic conquest, that doesn’t speak too highly of life under matriarchy.
Ultimately, the film is supremely entertaining. It knows that its first job is to be a rousing blockbuster alien invasion movie and it succeeds wildly at this task. But every major Hollywood film exists to transmit progressive editorial of one form or another, and Independence Day: Resurgence is certainly no exception.